It’s been a while since I’ve talked about viewpoint, and first-person has been on my mind lately. First person seems to be a love-it-or-hate-it viewpoint. I’ve heard folks say that it’s the easiest viewpoint for a beginner to use, that no one should ever use it, that it allows for more believability, that it’s always [...]
One of the things about writing is that if you want to improve, you have to work at it yourself. Nobody is going to make you practice; nobody is going to force you to get better. Even taking writing classes is a choice – I’ve known people who took how-to-write classes simply to have a [...]
First off, I am pleased to say that the three Kate and Cecy books will be going live as e-books on May 22. Stephanie Burgis did a lovely blog post on them. Which means that all of the backlist except the Enchanted Forest books are now available in nice, legal ebooks, one way or another [...]
I’ve been thinking a lot about the classic plot skeleton lately, for a variety of reasons, and I’ve been getting steadily more annoyed with most of what’s written about it, and about plotting in general. The trouble is that most of what’s written about plot and plotting is stuff that’s written after the fact – [...]
Last week I got into another one of those discussions with a would-be writer who was convinced that before he ever sat down to write, he had to have the perfect idea – one with depth and resonance, something he found personally meaningful and inspiring, and above all else, something original. If it wasn’t original, [...]
One of the things it took me a while to get a handle on was giving my characters different speech patterns, depending on both their personalities and their backgrounds. For my first couple of books, I was too busy juggling all the other stuff – background, plot, description, action, dialog, viewpoint, etc. – to even [...]
The process of revising effectively tends to vary from writer to writer just as the first-draft writing process varies, and it’s not necessarily connected to the way one writes your first drafts. In fact, often (though not always) the revisions process seems to need to be the opposite of the writer’s writing process in some [...]
One of the things that makes writing difficult for a lot of folks is the notion that they have to do everything at once, on the first try. They’re sure their first draft has to look pretty much like an actual story – maybe it needs some tweaking, but everything’s more-or-less there: the plot, the [...]
Before we get to the post, I feel obliged to mention that we’re doing some more blog maintenance tomorrow – might as well get it over with as soon/much as possible – so there may possibly be another short outage. We’re expecting this bit to go smoothly, but just in case it doesn’t, I figured [...]
So Minicon was last weekend, and in among seeing lots of friends (and managing to miss seeing far too many others) there was the usual crop of questions – what are you going to write next, where do you get your ideas, etc. Including one poor fellow who was convinced that he’d run out of [...]
Ask a writer what it is they want to do with their story, and something like eight out of ten will start by giving you a description of the plot. Ask again, push a little harder, and 99% of them will eventually come up with “I want to write a really good book.” Unfortunately, there [...]
Families are often hard to deal with, even if you love them. This is true in real life, but it’s even more true in fiction, especially in science fiction and fantasy. A large part of the problem is that including the hero/heroine’s family in the story means that the number of characters instantly begins to [...]
A while back, I had an inquiry from a reader regarding research, specifically asking how I went about researching historical slang and stage magic. I decided I’d answer it here instead of in email, because while the specific subjects are fairly easy to address, there are some general questions that I think would be of [...]
There is really nothing like a good villain. From Blackie Duquesne to Darth Vader, they’re often the most striking and memorable characters in a story. A lot of the professional writers I know find villains a lot more fun and interesting to write about than heroes; several have gone so far as to turn their [...]
So after all these business posts, people wanted me to write about retiring. I’m not surprised; it was kind of exhausting to think about doing all that stuff. In any case, this is the retirement-for-writers post. The very first question is: what does retirement mean to you, as a writer? Writing isn’t quite the same [...]
So there you have it: all seven areas of business – operations, sales and marketing, quality control, finance, administration, public relations, and executive – laid out for writers. Looking at them all at once like this is rather daunting, but not looking at them at all is a recipe for messing up. If you are [...]
7. Executive – This has to do with strategic planning and overseeing everything else. For writers, the Executive area means keeping an eye on all the other categories to make sure nothing is left out and everything stays in balance (which can be quite a trick for a one-person business). This is also where long-range [...]
February 29, 2012 – 6:05 am
Before we get to today’s post, I wanted to mention two things: first, some time in the next month I’m going to be changing servers. In an ideal world, this will be completely unnoticeable to all the readers of my blog and web page, but how often does everything actually go that smoothly? So if [...]
February 26, 2012 – 6:33 am
5. Administration – This is the overall organization of people and processes, including everything from office management to the human resources department. For writers, Administration covers most of the day-to-day tasks of making and tracking submissions, answering mail, returning email and phone calls, filing, organizing manuscripts, maintaining the web site and blog, and so on. [...]
February 22, 2012 – 6:35 am
4. Finance – This has to do with all the monetary aspects of a business. The financial end of the writing business needs and deserves a lot more attention than many writers give it absent emergencies. Especially the taxes part. I’ve said before that editors don’t do house-to-house searches …but the IRS does, and they’re [...]
February 19, 2012 – 6:30 am
3. Quality Control. This is where products and processes are tested for defects. For all writers, Quality Control obviously includes all of the editing and revision parts of the job; for the self-published, it includes packaging details as well – everything from design (page layout, font/typeface, cover design) to things like the choice of paper and cover [...]
February 15, 2012 – 6:47 am
2. Sales and marketing. Sales is defined as “the act of selling a product in return for money or other compensation.” Marketing is the strategy that the business uses to get to the sales part. Sales and marketing is generally considered the second of the two line functions in business, because it generates income directly. [...]
February 12, 2012 – 6:45 am
1. Operations – This includes primarily production, but also design, development, and fulfillment. The business of writing starts with Operations, the first, largest, and most important of the line function areas. It includes all of the aspects of production/manufacturing, but also such necessary elements as purchasing, order fulfillment, research, development, design, and fulfillment. For writers, [...]
February 8, 2012 – 6:03 am
I have never met a would-be writer who has a business plan. OK, I haven’t met many professional writers who have a formal business plan, either. Nevertheless, every last professional writer I know, of whatever genre, pays a great deal of attention to the business of writing, one way or another. Unfortunately, for most writers, [...]
February 1, 2012 – 6:56 am
People go into collaborations for different reasons…and each project, and each co-author, is a different situation. Sometimes, two or more writers collaborate because they came up with a brilliant idea in the bar at three in the morning…and next day, it still looks brilliant and fun. Sometimes, the collaboration springs out of something that began [...]
January 29, 2012 – 6:27 am
There is an old saying that goes something like: “You can have it fast, you can have it cheap, you can have it good. Pick any two.” Meaning that if you want it fast and cheap, it won’t be good; if you want it fast and good, it won’t be cheap; and if you want [...]
January 25, 2012 – 9:50 am
For a certain kind of writer, the opening of a story is easy and fun – you get to allude to mysterious events and drop ominous clues. And then comes the middle, where all the stuff you’ve been alluding to has to start showing up and actually turning into something, and everything falls apart. The [...]
January 22, 2012 – 6:30 am
The whole point of a good prologue is to do something that the writer cannot do in the main part of the story without violating some important aspect of storytelling, like chronology or viewpoint or continuity. For instance, if the main story is told entirely from the viewpoint of one central character and takes place [...]
January 18, 2012 – 6:26 am
Prologues are out of favor these days, one of the “forbidden” (by whom?) writing techniques, yet people keep asking about them because they know intuitively that the technique has enormous possibilities. Quite a few folks go ahead and use them anyway. Sometimes this works brilliantly; other times, not so much…and the problematic usages reinforce the [...]
January 15, 2012 – 6:40 am
Flashbacks are one of those indispensable writers’ tools that tend to alternately get encouraged and discouraged, depending on whether or not they’ve been overused and abused recently or not. They’re a way of slipping the reader back into the past of the story, so that a particularly important incident or incidents from the characters’ backstory [...]
January 11, 2012 – 6:48 am
Once again, I have been driven to frothing at the mouth by a would-be writer-and-critiquer’s thick-headedness in regard to both the construction of the English language and the so-called rules he’s trying to apply, and you folks are going to have to put up with the resulting rant. My apologies in advance. This particular comment [...]
January 8, 2012 – 6:34 am
When a writer has a big, complicated novel with lots of subplots and plot arcs that need to weave around each other, there are two main things he/she needs to do: 1) keep track of all the things that are going on offstage and in different plot arcs than whichever one is currently at the [...]
January 4, 2012 – 6:18 am
First off, thanks to everyone who commiserated about the computer crash. I now have all my critical data back (including my in-process Skyrim game! Very important, right up there with the email archives, the address book, and the calendar. Books? Those were never the problem; I’m paranoid about backing up work-in-process, finished work, copyedited versions…) [...]
December 28, 2011 – 8:17 am
The holiday season is a time for parties, especially the sort of parties that people throw in order to introduce interesting friends and neighbors to other interesting friends and neighbors they haven’t met but might like. It’s a great way to meet interesting people, and the first thing most of them ask is, “So, what [...]
December 21, 2011 – 6:30 am
This summer, I got a new car. Well, new to me – it belonged to Dad for several years, until he decided that with Mom gone, he didn’t really need two cars and he liked the other one better. Anyway, it’s a 2008 model, with lots of snazzy bells and whistles that I’ve never had [...]
December 18, 2011 – 6:55 am
One of the most frustrating things that happens to writers is having a batch of characters worked into just the right spot for the plot to take off…and discovering that they won’t do whatever is supposed to come next. When you want your characters to go left, and they want to go right, there are three [...]
December 14, 2011 – 6:01 am
In the last couple of months, I’ve had the opportunity to observe a number of new writers doing things that…well, to say they don’t work is a serious understatement. I’m not talking about the writing itself, at the moment. I’m talking about the business end. There are oodles of lists of what not to do [...]
December 11, 2011 – 9:29 am
A while back, I was talking with a young writer who was bogged down in mid-novel. The conversation went something like this (with names and plot points changed to protect the guilty): Writer: “I’m totally stuck. My characters are down in the ravine and I don’t know what happens next.” Me: “Sounds familiar.” Writer (despairing): [...]
December 7, 2011 – 6:34 am
A while back, I did a post on electronic publishing in general, in which I stated that I didn’t know much, but nobody else does, either, yet. In the interim, I’ve learned a bit more, and I thought this would be a good time to share, because next week, the five Lyra books are being [...]
December 4, 2011 – 6:24 am
There’s a problem I’ve noticed cropping up more and more often lately, in the way some authors first develop and then over-develop their plots and subplots, allowing both them and their characters to proliferate beyond the ability of mere mortals to keep track of them all, until the whole edifice starts crumbling under its own [...]
November 30, 2011 – 6:25 am
When is the story over? Really over, I mean, as in “this is the last paragraph, and what comes next is ‘The End’ at the bottom of the page.” This is usually some way after the big climax in which the central story problem is solved (they kill the dragon/blow up the Death Star/arrest the [...]
November 27, 2011 – 6:41 am
This is the time of year when a lot of high school students are thinking about college, and as a consequence, I’ve had several earnest requests for information about the best places to go to school, what to major in, etc. Since I usually figure that what one person is brave enough to email and [...]
November 20, 2011 – 6:56 am
Last post, Libby said: I’ve been having trouble with that point in a story from the lead-up to the climax to the aftermath… once I hit the part where all the stuff I’ve been alluding to has to APPEAR, things tend to go over too smoothly and much too quickly, and I think it’s ultimately [...]
November 16, 2011 – 6:29 am
All writers are afraid of something at one point or another. We are afraid of looking foolish; we are afraid of rejection; we are afraid of overreaching, of not knowing how, of getting it wrong, of not being good enough. We’re afraid of being broke, being taken advantage of, being stuck with something that turns [...]
November 13, 2011 – 6:31 am
A novel is not a movie; writing a scene is not the same as filming one. It is amazingly easy to forget this, when we are constantly bombarded with visuals in our everyday lives, from movies and TV, to YouTube and those animated ads that are all over the Internet, to the photo of Cousin [...]
November 9, 2011 – 6:20 am
One of the things that bites even experienced writers from time to time is giving insufficient consideration to the ways their characters react to things. (Me blogging about this has nothing to do with the fact that I just turned in the copyedit for The Far West and ended up deleting or rephrasing about twenty [...]
November 6, 2011 – 6:50 am
There’s another side to the whole selling-out discussion that rarely gets looked at. And that’s the folks who think that if there is any resemblance whatsoever between what they want to write and any recent bestseller, they must be selling out. Or that everyone will think they are selling out. Never mind that they’ve adored vampire [...]
November 2, 2011 – 6:37 am
For the last several weeks, I’ve been running from one convention/appearance/trade show to another, and it seems that at every one of them I’ve run into at least one would-be writer who is worried about “selling out.” More accurately, they’ve been worried about having to sell out in order to get published. These folks look at [...]
October 30, 2011 – 6:54 am
“Beat” is actually an acting term. In a movie or play, it describes a brief interruption or pause in the action or dialog. The result of putting a beat in can change the emphasis on a line of dialog or the meaning of an action, and do it extremely economically. The detective’s moment of stillness [...]
October 26, 2011 – 6:13 am
This was supposed to go up Sunday; apparently being out of town glitched my brain and I managed to get it written but not posted. Sorry about that. We now return to our regular posting schedule. I’m in Tulsa at the moment, at the Nimrod conference, and yesterday they had me do a session on [...]
October 19, 2011 – 6:55 am
In the comments on “being a writer,” JP asked about the afterward part – the stuff that’s not writing. And this is rather a good time to write about it, since I’ve been in the midst of doing publicity stuff for Across the Great Barrier for the past few weeks. Much as nobody believes it [...]
October 16, 2011 – 10:13 am
When people ask me when I knew I wanted to be a writer, I always tell them that I never did want to be a writer. I wanted to write. Being a writer was something that happened by accident. Recently someone asked me what I meant. Surely, if you want to write, that kind of [...]
October 12, 2011 – 6:30 am
Every so often, someone asks me if I work on more than one book at a time. It’s a more complicated question than most people think it is, because there’s work, and then there’s work. Writing comes in phases. Very long phases, but phases nonetheless. There’s six months to a year of writing the first [...]
October 9, 2011 – 6:18 am
Back in the day, on Usenet, I had a little lecture that I posted periodically, whenever too many folks seemed to be bemoaning the horribleness of the submission process so much that they were losing sight of the actual job of submitting. (Make no mistake; the submission process is horrible and lengthy and depressing, but [...]
October 5, 2011 – 6:58 am
The problem with sequels is that the writing and publishing process gives readers too much time to think. Let me unpack that a little. It takes me one to two years to write a novel, and this is fairly typical of most of the professional writers I know. Yes, there are folks who work faster [...]
October 2, 2011 – 6:17 am
The other day, my walking buddy and I were discussing various bad-plotting mistakes made in various TV series, specifically the sort that used to be called “hack writer’s gambit.” I say “used to be called” because a quick series of googles found very little in the way of modern references for the term. So I’m [...]
September 28, 2011 – 6:27 am
Characterization is one of the things I had a hard time getting a handle on. In my early books, I was doing it all by instinct – which was all well and good (I still do it pretty much by instinct), except that I hadn’t thought about characterization, about what goes into it or how [...]
September 21, 2011 – 6:15 am
I’ve been doing role-playing games off and on since the mid-1970s, when I was first introduced to the concept of D&D style tabletop games. The group I gamed with wasn’t big on number-crunching and stats; we were more about the improvised story-telling. At least five of us ended up inventing and running our own gaming [...]
September 18, 2011 – 6:15 am
How did you know that you wanted to be a writer? I didn’t. I never, ever wanted to “be a writer.” I wanted to write. I wanted to tell stories. I wanted to get these blasted characters out of my head and nailed down on paper so I wouldn’t have to keep thinking about them. [...]
September 14, 2011 – 6:57 am
When you look at the arts, there are some that clearly, obviously require the talents of multiple people to produce. Movies, for instance, need not only writers but actors, camera operators, prop and costume people, and on and on – last time I went to one, the credits rolled on for nearly five minutes. At [...]
September 11, 2011 – 6:25 am
I’ve talked before about the opening of a story and some of the things that can go wrong with the all-drama, all-action, all-the-time “hook.” But it occurs to me that I haven’t talked much about what a hook is, or how to do it right. Hence today’s post. Openings are important; nobody denies that. In my [...]
September 7, 2011 – 6:07 am
Writers who set their stories in the real world, whether modern or historical, have a double advantage over those of us who alter reality/history to suit our own ends, or who make up our own versions from whole cloth. The first advantage is that they can look up whatever details they need – architecture, dress, [...]
September 4, 2011 – 6:38 am
Back in grade school, when they taught us to write essays, the first step was always “decide on a topic,” and the second one was “make an outline/plan.” Nowadays there’s a lot more focus on creativity, i.e., writing fiction instead of essays. Based on what I’ve seen in school visits and from talking with teachers [...]
August 31, 2011 – 6:14 am
Another one of the truisms about writing that you hear a lot is “the power of the telling detail.” And it’s quite true; a single specific detail at exactly the right time can do more to evoke a world or a mood than pages of description, even if we’re talking about really well-written description. In [...]
August 28, 2011 – 6:14 am
One of the things that professors of literature have been doing ever since they were invented is trying to analyze literature of all kinds. And one of the chief ways of analyzing something is to break it down into small pieces, label them, and then look for the patterns in how they fit together. Breaking [...]
August 24, 2011 – 6:30 am
Narrative summary is possibly the most flexible of the various ways of presenting a story. Narrative summary doesn’t necessarily tie the author down to chronological order, the way dialog and dramatization do, nor does it require a focus on one particular aspect of the story, as description often does. This makes narrative summary at once [...]
August 21, 2011 – 6:54 am
Years ago, before I was ever published, I was at a convention where Gordy Dickson was answering writing questions for a mob of would-be hopefuls. And somebody asked the “how do I write deep characters?” question, and I was kind of disappointed in the answer, because it was all basic stuff I already knew. I [...]
August 14, 2011 – 6:37 am
There’s an analogy that’s been around for a long time – I’ve been using it myself for years – comparing writing a novel to a long-distance road trip, usually at night. The comparison goes, in the car, you can only see as far as the headlights light up, but you only need to see that [...]
August 10, 2011 – 6:43 am
scene: in a drama, a subdivision of an act or of a play not divided into acts….”scene” is also the name given to a “dramatic” method of narration that presents events at roughly the same pace as that at which they are supposed to be occurring, i.e., usually in detail and with substantial use of [...]
Recently, a fan came up to me, enthusiastically waving Thirteenth Child. “This book blew me away!” he said. “It breaks all the rules! How did you do that?” Naturally, I looked him straight in the eye and said, “What rules?” What most would-be-writers mean when they’re talking about “breaking the rules” are the absolute pronouncements about [...]
A couple of posts back, nct2 asked what Other Helpful Stuff a writer could do – besides writing, taking classes, or learning new skills – to improve their work. I blinked at that a couple of times, because my very first reaction was “Learn to touch-type,” and I wasn’t at all sure that would be [...]
OK, I had a whole long blog post ready to go about non-traditional publishing, and then I looked at it and realized that I was just saying the same thing again: there are scams, it is a ton of work, you have to educate yourself, check Writer Beware and Editors and Preditors before you commit [...]
The book business has been changing radically every couple of years for the entire time I’ve been in it, but one thing does seem to remain constant: lots of people still want to break in and sell their novels, and a sizeable number of these folks either haven’t got a clue where to start, or [...]
I hadn’t planned on doing more about agents, but all this talk got me thinking. See, there’s a big difference between how the publishing industry (or anything, really, but I’m talking about publishing today) looks from the outside, compared to what it looks like from the inside. Most people know that, at least intellectually, but [...]
So you have your FINISHED novel-length manuscript, and you’ve done some thinking about what you’d like your agent to do for you in addition to submissions, negotiations, and collecting from your publishers. Now it’s time to actually start looking for an agent. And the first thing you do is, you check around and make a [...]
So Julie D. asked: Could I put in a request for a post about finding the right agent as a first time author, and/or whether self-publishing electronically is a bad idea? It’s actually two questions, but I’m going to start with the question about agents. Actually, let’s start before agents: Do you have a novel-length [...]
So the first draft of The Far West is done at last, turned in a bit over two weeks ago, and I’m past the first walking-around-in-a-daze bit where I spend all my time feeling as if I ought to be finishing the book and then remembering that no, I’m actually done until the editorial revision [...]
One of the things 4th Street Fantasy Con did this year was a workshop on writers’ support systems, which I participated in. I did a lot of thinking about the topic, and it occurred to me that most of my blog readers probably weren’t there and could use the information (and besides, it means I [...]
One of the supposed truisms of writing is that a good plot must have conflict. And while this is, in fact, true, I’ve seen it misinterpreted so many times that I thought I’d talk about it a little. The problem always seems to come in the definition of “conflict.” We hear that word so often [...]
In the two years and a bit that I’ve been producing this blog, I’ve developed a rule of thumb that goes “Any time three people ask me more or less the same question in the same week, it’s probably time to do a post on the topic.” Last weekend, as I said, I was at [...]
Rather than do a normal sort of round-up of how wonderful last weekend’s Fourth Street Fantasy con was, I opted to collect an assortment of interesting comments heard and overheard during the course of the weekend. A few were made by panelists on actual panels; some were made at panels by members of the audience; [...]
On the very first day at Fourth Street Fantasy convention (which as of this posting, is still in session for another half-day or so), Elizabeth Bear mentioned running into a writing myth I’d never heard myself before: Women can’t ride stallions, because stallions get aggressive around women. Geldings or mares only for female riders, please. [...]
Alfred Hitchcock gave a famous definition of the difference between surprise and suspense. It boils down to this: If a bunch of guys are playing poker and suddenly a bomb goes off under the table, that’s a surprise. It’s not what the viewer expects. If, however, the viewer knows the bomb is there from the [...]
“The past is a foreign country; they do things differently there” – L.P. Hartley One of the tricky aspects of writing books set in any vaguely recognizable version of history is the inevitable clash between now and then, on pretty much every level. There are an enormous number of things that most people know or believe in [...]
Writing is one of the few occupations that aren’t tied to a particular place and time. It’s something that you can do anywhere, any time, if you want to. So I used to find it odd to hear so many writers talk about their desks and offices (and I thought it was especially odd that [...]
What first inspired you to write? I hate questions like this because they make so many assumptions about “inspiration.” But since you ask… Probably a combination of my mother, my father, and the family I grew up in. This tends not to be the answer people are looking for when they ask this question, so [...]
Once again, I am late on a book. This time, it’s a combination of things: first off, I didn’t count on how much time handling my Dad’s taxes would take this year; second off, I didn’t count on yet another family crisis involving meeting with lawyers and bankers and what-not cropping up at more or [...]
There are four really, really important things to remember about characters: Characters are people. (Yes, even if they’re aliens or elves or talking rabbits.) People, and therefore characters, are all the same. People, and therefore characters, are all different. Most important of all: Every person, and therefore every character, is an individual. Taking these assertions [...]
Writing is a profession with a very long lead time. For the majority of writers, writing a novel takes somewhere between six months and two years (there are, of course, folks who can do it faster or who require even more time, but they’re outliers). Then you have a wait for editorial revisions, and then [...]
Back when I was just out of college, I remember laughing at one of my friends who was complaining about the effects of her promotion on her budget. “Sure, I get more money now,” she said. “But I only get it every two weeks, not every Friday! It’s really hard to remember not to spend [...]
I’ve talked more than once about the Big Three – plot, characterization, and setting. They started off as the earliest writing advice I recall getting (and I wish I could remember the name of the writer who told me that, so I could credit him properly), as the three things one can do in a [...]
When would-be writers ask “where do you get your ideas?” they are often asking the wrong question. They’re struggling to get started on a story, but they’re not actually starting from scratch. They have an idea. It’s just not enough to go on with yet. So what these folks really want and need to know isn’t [...]
“Where do you get your ideas?” is probably the most-asked question writers get, and one of the reasons writers hate getting it is because it can actually be fairly hard to answer. Oh, not if the person asking the question is a semi-interested reader who’s more interested in making conversation than in any kind of realistic answer [...]
Lately, I’ve been getting anxious queries from a lot of close friends, who know a) exactly when my book deadline is, b) just how many other desperately important things I have going on to distract me from writing, and c) how many plot threads I still have to wrap up. “How is the book going?” [...]
Fanfiction is a fascinating phenomenon. Yes, yes, I know that there’s still a huge argument going on between the people who think it’s all right to do and the people who consider it illegal, unethical, and unprofessional, but I think it’s a rather silly argument, on the whole, and I certainly don’t want to get [...]
It is an odd and interesting thing that in a group of professional liars and their willing audiences, there are so many people who are so deeply concerned with telling the truth. Fiction is made-up – that’s part of the basic definition (though calling it a flat-out lie is perhaps an exaggeration) – yet it [...]
Back in high school, I read a lot of mystery novels, many of which were police procedurals, and I got the basic triumvirate for figuring out who was the killer pounded into my brain: Means, motive, and opportunity. They actually apply to any villain undertaking any dastardly deed: the villain always needs a way to [...]
Fiction is a model of human behavior (among many other things, but this is where I’m going today). This means that no matter how a writer tries, real life and real people are always more complicated than whatever is in the model. Nevertheless, we do everything we can to make stories as “real” as we [...]
First things first: a bit over two weeks ago, our own Michelle Wood emailed me that she’s done a wonderful video trailer for the Frontier Magic series. I’ve been planning to put a link to it on the website, but I’m in the downhill rush to finish the book and updating the web page is [...]
I talk a lot about differences in the writing process and the way every writer thinks differently and therefore has to work differently. All those differences apply to a lot more than the writing process, though, and it is just as destructive when folks don’t understand that. Take the heady days following the publication of [...]