Tag Archives: pace

Weaving (plot) threads

First off, thanks to everyone who commiserated about the computer crash. I now have all my critical data back (including my in-process Skyrim game! Very important, right up there with the email archives, the address book, and the calendar. Books? Those were never the problem; I’m paranoid about backing up work-in-process, finished work, copyedited versions…) [...]

Beats Now and Then

“Beat” is actually an acting term. In a movie or play, it describes a brief interruption or pause in the action or dialog. The result of putting a beat in can change the emphasis on a line of dialog or the meaning of an action, and do it extremely economically. The detective’s moment of stillness [...]

Surprise and Suspense

Alfred Hitchcock gave a famous definition of the difference between surprise and suspense. It boils down to this: If a bunch of guys are playing poker and suddenly a bomb goes off under the table, that’s a surprise. It’s not what the viewer expects. If, however, the viewer knows the bomb is there from the [...]

Complicated Webs

Big, fat, complex, multiple-viewpoint novels have been popular for quite a while, and they have a whole set of problems all their own. Once of those problems is pacing. The temptation is always to take advantage of a slow moment in the main plot to advance a subplot, and it’s frequently a good idea in [...]

Hup, Two, Three, Four

Pacing is movement, and movement has rhythm. Some rhythms are fast, staccato beats, rat-tat-tat-tat; some are slow, leisurely swells; and some are a steady heartbeat. One thing is true for all of them:  in order to have a beat, in order to have rhythm, there must be sound and then silence. A single continuous blast [...]

Walk, Run, or Jog?

Recently, I was reading an extremely long (quarter-of-a-million-words plus) book that shall remain nameless to avoid embarrassing the author. It held my interest enough to get me through to the end, but it left me curiously unsatisfied, with very little memory of the plot (which is quite unusual for me), and no impulse whatever to [...]

The escalation problem

The comments on the last post started getting into endings and the escalation of threat, particularly as related to series books, and I discovered I had quite a lot to say on the subject even though I haven’t written a long-running series myself. The first thing is that not all trilogies or series are the [...]

A few words on pacing and structure

The “different panel” at 4th Street this year was on pacing and structure. I’ve been pondering it since then, and this is what I think (or part of it, anyway): Pacing is how fast it feels like things happen.  Not how fast they actually do happen; what it feels like to the reader-this is why sometimes the cure [...]