Every story needs to open with a hook, or so says conventional writing wisdom. Conventional writing wisdom, unfortunately, seldom goes on to address the obvious question: Just what is a hook, anyway? And how do you write one? There are three things everybody seems to agree upon when it comes to hooks: 1) They come at the [...]
There are other kinds of worldbuilding besides the deep-background variety I was talking about last post, to wit, the immediate-background sort and the in-story sort. The immediate-background worldbuilding, like deep worldbuilding, is stuff that not everyone needs to do in advance. It’s very similar to the deep-worldbuilding in that it’s about making decisions, but most [...]
March 17, 2013 – 10:13 am
A couple of weeks ago, I finally figured out one of the several reasons I’ve been having so much difficulty booting up The New Thing. It’s because for my last eight to ten books, I haven’t had to do any deep worldbuilding, because all of them came with that part ready-made. The Frontier Magic books, [...]
It’s pretty easy for most writers to get about four chapters into something based on an interesting idea/situation/character/plotpoint and a bunch of mysterious happenings. But somewhere around Chapter 4, one hits what has been variously termed “the wall,” “the first veil,” or “the first event horizon.” Sometimes it’s as early as Chapter 2; sometimes it’s [...]
January 25, 2012 – 9:50 am
For a certain kind of writer, the opening of a story is easy and fun – you get to allude to mysterious events and drop ominous clues. And then comes the middle, where all the stuff you’ve been alluding to has to start showing up and actually turning into something, and everything falls apart. The [...]
January 22, 2012 – 6:30 am
The whole point of a good prologue is to do something that the writer cannot do in the main part of the story without violating some important aspect of storytelling, like chronology or viewpoint or continuity. For instance, if the main story is told entirely from the viewpoint of one central character and takes place [...]
January 18, 2012 – 6:26 am
Prologues are out of favor these days, one of the “forbidden” (by whom?) writing techniques, yet people keep asking about them because they know intuitively that the technique has enormous possibilities. Quite a few folks go ahead and use them anyway. Sometimes this works brilliantly; other times, not so much…and the problematic usages reinforce the [...]
December 28, 2011 – 8:17 am
The holiday season is a time for parties, especially the sort of parties that people throw in order to introduce interesting friends and neighbors to other interesting friends and neighbors they haven’t met but might like. It’s a great way to meet interesting people, and the first thing most of them ask is, “So, what [...]
December 11, 2011 – 9:29 am
A while back, I was talking with a young writer who was bogged down in mid-novel. The conversation went something like this (with names and plot points changed to protect the guilty): Writer: “I’m totally stuck. My characters are down in the ravine and I don’t know what happens next.” Me: “Sounds familiar.” Writer (despairing): [...]
September 18, 2011 – 6:15 am
How did you know that you wanted to be a writer? I didn’t. I never, ever wanted to “be a writer.” I wanted to write. I wanted to tell stories. I wanted to get these blasted characters out of my head and nailed down on paper so I wouldn’t have to keep thinking about them. [...]
September 11, 2011 – 6:25 am
I’ve talked before about the opening of a story and some of the things that can go wrong with the all-drama, all-action, all-the-time “hook.” But it occurs to me that I haven’t talked much about what a hook is, or how to do it right. Hence today’s post. Openings are important; nobody denies that. In my [...]
September 4, 2011 – 6:38 am
Back in grade school, when they taught us to write essays, the first step was always “decide on a topic,” and the second one was “make an outline/plan.” Nowadays there’s a lot more focus on creativity, i.e., writing fiction instead of essays. Based on what I’ve seen in school visits and from talking with teachers [...]
February 16, 2011 – 6:30 am
“I don’t CARE what happens to these people.” – Dorothy J. Heydt Stories are, at bottom, about people (or people-analogs, like anthropomorphized talking animals). But more than that, they’re about people or people-analogs that the reader cares about. Hooks and cliffhangers, opening in medias res, lots of fast-paced action, brilliant worldbuilding, intricate plots – all [...]
December 12, 2010 – 6:27 am
It has become a truism in writing that one should always open a story with a “hook” – something that grabs the reader and pulls them into the story, forcing them to keep reading. The problem with this is that what “hooks” one reader will annoy or repel another, and this is seldom acknowledged by [...]
September 15, 2010 – 10:18 am
Starting a completely new story is exciting. There aren’t any constraints to worry about: no dangling plot threads that you have to tie up, no previously established background that you have to stay consistent with, no inconvenient mysteries or revelations that you’re stuck with. It’s a clean slate, full of fresh new possibilities. At least, it [...]
August 25, 2010 – 10:56 am
Probably the most often-asked question writers get is “Where do you get your ideas?” Very few people ever ask “What do you do with your ideas once you have them?” though that seems to me to be the logical next step. It seems a good many people don’t realize that there is a lot of [...]
I’m currently just getting started on the third, as-yet-untitled book of the Frontier Magic trilogy, and the first step of that is working out the plot in more detail than “they explore the Far West to find out what happened to Lewis and Clark and what’s up in the Rocky Mountains; various characters solve assorted [...]
Barely over a week ago, I turned in the first draft of Circuit Rider, after a major death-march push to get the thing done somewhere within shouting distance of deadline. The plan was to spend a couple of weeks taking care of everything that got put off to finish the book (laundry, dishes, yardwork, finances), [...]
Writing is difficult to talk about. I mean the real thing, the stuff that happens when you are sitting there with your paper and pen or your computer or your stone tablets and chisel and telling a story. We talk about bits and pieces of writing all the time. We separate out plot, characterization, setting, [...]
March 12, 2010 – 10:23 am
As I said in our last exciting episode, there are two kinds of novel outlines writers do: the sort meant to sell a manuscript to a publisher, and the sort meant to help the writer write the book. This post is about the second kind. The first and possibly most important thing to know about [...]
January 18, 2010 – 8:13 am
How do you decide where a story starts? Stories, short or long, generally are not about characters who are happily living their normal lives. Something unusual is going on; something has upset the status quo (whether the status quo was a miserable life as a slave, or a happy life as a king). Stories therefore [...]
January 3, 2010 – 3:45 pm
It being the new year – and the first year of a new decade – I went poking around the web and noticed a bunch of websites for people’s New Year’s Resolutions. A little further investigation revealed that “write a book” is, in some form or another, on an awful lot of people’s lists (it [...]
December 11, 2009 – 12:17 pm
I keep running across people who think that there is One Right Way to write a story, and who tie themselves in knots trying to force themselves to write “the right way” when it doesn’t suit their particurlar mental processes. Somewhere, somehow, they’ve gotten convinced (usually because some authority figure like an editor or highly respected [...]
October 18, 2009 – 6:08 pm
Once you “have an idea,” the next bit of the process for most writers is developing it into a story. How one develops an idea depends largely on the writer and the idea. For a lot of us, the first stage is kind of like the effect of a particle accelerator: two or more interesting [...]
September 2, 2009 – 10:13 am
There are a couple of ways of looking at plot, ranging from the bird’s-eye view at a macro level to the order of scenes, and events and incidents within scenes. The one most people run across first – and one of the most useful ways of looking at it for many writers – is the [...]
One of the perennial questions I get from people, especially those who want to be writers, is “how do you come up with the names?”-meaning, usually, the “weird fantasy names” in settings that bear no resemblance to the “real world,” rather than the more ordinary names like James and Cecelia I use in other books. [...]
Write. No, really, that’s it. It’s kind of a definitional thing. What you have to be in order to be a writer is, you have to be someone who writes. Period. You don’t have to be nice; you don’t have to be educated; you don’t have to follow a bunch of rules; you don’t even [...]