Tag Archives: voice

The Question of Voice

Recently, I was approached by a budding author who, after the usual polite introductory remarks, said, “Ms. Wrede, I’ve been wondering – how did you develop your voice?” I muttered something relatively innocuous and vague, and stewed about it all the way home. Because while I’ve put a considerable amount of thought into the voices [...]

Search-and-Destroy

I wrote my first novel on a typewriter, and one of my most vivid memories of that is proofreading the final submission draft and trying to decide, over and over, whether it was worth retyping a whole page in order to get rid of one too-common word or phrase. Mostly, it wasn’t. When I got [...]

Say That Again, Would You?

Dialog is one of the bedrock necessities in about 99% of all fiction. Plays and screenplays are almost nothing but dialog, and it’s not unusual to see whole scenes or entire short stories that are told entirely in dialog (sometimes, without even speech tags to let the reader know who’s talking). It’s something that seems [...]

Default values

Nearly every writer has what I call a “default setting” for many or most of the basic pieces of writing. They tend to automatically write in first person, or third, or multiple viewpoint. When they’re thinking up stories or developing ideas, they gravitate toward the action/adventure plot, or toward one focusing on relationships, or toward [...]

First person, part the second

Another thing that it is really important to pay attention to in first-person writing is what that character knows. Not what he/she knows about the plot; that should be obvious. About everything else. When your first-person narrator looks at the street outside his house, does he see Fords and Chryslers and Saturns? Or does he see red [...]

First person, part the first

As I’ve said before, the term “viewpoint” gets used to mean both the person who is seeing the action (viewpoint character) and the way in which everything is written (viewpoint type). This is going to be about the latter sort of viewpoint. Specifically, it’s about first-person. First-person viewpoint is the “I” viewpoint: “I hate pickled [...]

Who says?

When a writer sets out to tell a story, she has a lot of choices to make, and every time she makes one, it influences what options are still available for the other choices. In some cases, one decision can completely eliminate all other options. Take the matter of narrative voice (which I define as [...]