Character voices

Announcements: For the past year, Tim Cooper has been running around Minneapolis taking pictures of different people reading Emma Bull’s War for the Oaks in places featured in the book. He’s currently running a kickstarter project to finance an art book collecting all the photos. Check it

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The Question of Voice

Recently, I was approached by a budding author who, after the usual polite introductory remarks, said, “Ms. Wrede, I’ve been wondering – how did you develop your voice?” I muttered something relatively innocuous and vague, and stewed about it all the way home. Because while I’ve put

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Search-and-Destroy

I wrote my first novel on a typewriter, and one of my most vivid memories of that is proofreading the final submission draft and trying to decide, over and over, whether it was worth retyping a whole page in order to get rid of one too-common word

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Default values

Nearly every writer has what I call a “default setting” for many or most of the basic pieces of writing. They tend to automatically write in first person, or third, or multiple viewpoint. When they’re thinking up stories or developing ideas, they gravitate toward the action/adventure plot,

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