Exposition

There’s a scene in the Great Muppet Caper in which Lady Holiday, while interviewing Miss Piggy for a receptionist job, tells her a lot of personal information about her family relationships and the valuable jewelry (the Baseball Diamond…) she is going to put on display. When Miss

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Transitions, Part 2 – Narrative

Narrative transitions are the second major way of getting characters from Scene A to Scene B. Instead of simply skipping a bunch of time or a change in location, a narrative transition briefly summarizes, describes, or explains whatever the author is skimming over lightly. Because narrative transitions

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Action

A lot of my friends have trouble writing action scenes. Not on the sentence-by-sentence level – they know all the tricks and tips – but on a more general level. They know that their first-person viewpoint character is only going to have a close-up, confused picture of

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Show vs. Tell

“Show, don’t tell” is one of the two most misunderstood and misapplied pieces of writing advice that are commonly given to new writers (the other being “write what you know,” but that’s a different post.) It’s most commonly trotted out in relation to characterization, where “show” generally

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Making an impact

A novel is not a movie; writing a scene is not the same as filming one. It is amazingly easy to forget this, when we are constantly bombarded with visuals in our everyday lives, from movies and TV, to YouTube and those animated ads that are all

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Narrative Summary

Narrative summary is possibly the most flexible of the various ways of presenting a story. Narrative summary doesn’t necessarily tie the author down to chronological order, the way dialog and dramatization do, nor does it require a focus on one particular aspect of the story, as description

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