It has taken me a long, long time to really begin to understand how the story structures people describe—the various act structures, the hero’s journey, the pick-a-number “basic plots,” and so on—interact with the writing process for different writers. A large part of the problem is that
Read more →WARNING: A Facebook “fan page” for me has been hacked; we’re working on getting it fixed, but it is going to take time because I didn’t set the thing up myself. In the meantime, I’m told that scammers do this to try to get followers’ emails and
Read more →In case anyone wondered, the interior pages got finished and turned in in good time. But today’s post is going to be more ranting about the WIP. Fair warning. Multiple viewpoint stories are inherently complicated. As a reader, I often find myself interested mainly in one specific
Read more →Edited to reformat for readability, per Deep Lurker’s suggestion. This is my version of how-I-develop-it-into-a-scene when I’m having particular trouble. In this case, I started with a conversation “sketch draft” with minimal movement. There are four characters present: Archie, the 15-year-old POV; Del, aged 10; and Harkawn
Read more →Last week, I talked about getting my plot outline up to a sketchy 1200 words. Usually, my plot outlines start off fairly specific (“Kayla is in the library with Harkawn, reviewing past Dark Lord grimoires. She is annoyed – what good is summoning a horde of mosquitoes?
Read more →I’ve spent the past month or so fiddling with the synopsis for the sequel to The Dark Lord’s Daughter (which I still don’t have a publication date for, but it will probably be at least a year and a half). Writing a new book is always a
Read more →The other day, one of my dear friends and I had one of those long, rambling, writerly conversations about our current works-in-progress, our process, and the horrors of the literary life. At this particular moment in time, we are at opposite points on the first two, which
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