Fractal writing

When I’m between books, I frequently check out different writing systems, hoping I’ll find something that will make starting up the next book easier. Lately, I’ve run across quite a few “how to write a novel” systems that take a fractal approach to writing a novel. For

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Plot, situation, and incident/event

A lot of writers stall at the very beginning of story construction – at the idea stage – because they have never thought about the difference between situations, incidents/events, and actual plot, much less how to move from any one of these to any of the others.

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Finding the end

If you’ve read the last couple of blog posts about my current WIP, you may have noticed that the end of the story started off as “Kayla confronts the Archmage. Kayla wins. Everybody celebrates.” This is actually more specific than the end of my first-stage outline normally

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WIP Story development, part 2

Last week, I talked about getting my plot outline up to a sketchy 1200 words. Usually, my plot outlines start off fairly specific (“Kayla is in the library with Harkawn, reviewing past Dark Lord grimoires. She is annoyed – what good is summoning a horde of mosquitoes?

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From setting to story

First, some housekeeping. December 23 is the last day to register for my online worldbuilding workshop at Odyssey, if you are interested. I will be taking next week off for the holidays, so no more blog posts until the new year. Now the question: I’m having a

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Later developments

The ideas I was talking about in the last post are seldom ready-to-write when they arrive. Even the ones that look ready to go often turn out not to be when one gets right down to it. I’ve talked before about the pre-writing story development, so this

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