It’s open mike day! Suggest topics, ask questions, complain about your work, brag about your latest accomplishment, talk about what interests or excites you, make suggestions…whatever.
Read more →For many readers, one of the more effective ways of describing a scene is through the viewpoint character. The technique is a sub-category of “description as seasoning,” which I talked about last post, but it’s hard to describe in a brief paragraph. Hence this post. The first
Read more →Last post, I was talking mainly about description in general, and various changes in what’s been considered “good description” over time. This time, I’m going to go for talking about current considerations for description itself, and things that affect what works and what doesn’t. Like most things
Read more →Writing, like everything else human beings do, has fads and fashions that shift and change over time. One of the most obvious has to do with how description is handled in fiction. A lot of really early works don’t spend a lot of time describing mead-halls, hostelries,
Read more →Some years back, I had a writer friend who’d switched from being a journalist to writing fiction. She told me once that for her, the hardest part of writing fiction was learning not to automatically apply the basic journalism tenet: “Tell them what you’re gonna tell them,
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