I have been listening to people talk about unreliable narrators for a long time, and it seems to me that the definition has broadened over the years. Back when I was still taking English classes, an unreliable narrator was one you couldn’t and shouldn’t trust at all.
Read more →And it is once again time for an open mic! My only news is the 7″ of wet snow we got, appropriately enough, on April Fool’s Day. At this rate, I will be able to stop shoveling my driveway somewhere around June…
Read more →Fairy tale retellings are a perennially popular both among readers and among writers. Since I’ve written a couple, I occasionally get questions or comments about writing them. The most common one comes from people who ask “How do you do that?” in a rather awestruck tone. I
Read more →First, the announcements: The Dark Lord’s Daughter has an official release date of September 5! I got my ARCs (Advanced Reading Copies) last week, and it looks very nice. The cover looks like this: This phase of the publication process was particularly mysterious to me the first
Read more →… I bog down in considerations of what the readers need to know, and if don’t put it right at the beginning then when, and how many flashbacks can one novel support? This is part three of the answer to that question, which can be summed up
Read more →… I bog down in considerations of what the readers need to know, and if don’t put it right at the beginning then when, and how many flashbacks can one novel support? Part two of the now-three-part answer to this, i.e. “There are a lot of ways
Read more →I am still struggling with the WIP. After going to COsine in Colorado Springs, I became convinced that I’m starting in the wrong place and doing too much scene-setting, but when I try to revise I bog down in considerations of what the readers need to know,
Read more →Writers are highly distractable people. In part, this is because it always looks like more fun to chase the cool new story idea than to slog through the miserable middle of whatever one is currently writing. (Okay, it doesn’t just look like more fun…) In part, it’s
Read more →Once again, it is an Open Mic week! Chat amongst yourselves while I catch up on the 957 emails that have collected in my in-box…
Read more →The most common recommendations for increasing tension in a story are things like “raise the stakes, again and again,” “make sure your readers care about the characters/conflict,” “hold back information,” and “use cliffhangers.” The basic assumption seems to be that most writers have trouble putting their characters
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