“Beginning: The point in time or space when something starts.” – Oxford languages. From that deceptively simple definition stems a lot of writerly misunderstanding. At a rough and very unscientific estimate, around 90% of the writing advice on beginnings talks about what belongs in the first few
Read more →It is another Open Mic day! Announce successes, complain about problems, recommend a book, rave about a new recipe … whatever floats your boat.
Read more →“Plot-noodling” is a term I came up with to describe a … thing … that I and some of my writer friends do when one of us is stuck; it involves the writer sitting down with one or (rarely) two other people, who ask the writer a
Read more →A lot of story analysis and critique starts by focusing on macro-level aspects of storytelling: characterization, narrative, worldbuilding, plot, and the ways one develops or reveals these things over the course of a novel. Ultimately, though, how one presents characterization, growth, personality, action, worldbuilding, plot, and everything
Read more →Writing a multiple viewpoint story, novel, or series means that you are will be juggling many different viewpoint characters, each with their own story as well as their contributions to the main plotline. Choosing those characters takes a bit of care and attention, especially for writers who
Read more →Multiple viewpoint stories, especially the sort that are occasionally termed “bestseller style,” have become increasingly popular over the past couple of decades – popular with would-be writers, at least. Some people hear the saying that “viewpoint solves everything” and assume that it means all they have to
Read more →For a lot of stories, the choice of viewpoint character seems obvious, either because the writer starts with a character and develops the plot later, or because they start with a plotline in which one particular character is at the center of the action. I said “seems
Read more →It is time for another Open Mic! Announce successes, complain about things that aren’t going right, wonder about things that don’t make sense…whatever you want to talk about, this is your chance.
Read more →I’ve talked a bit about the difference between plot and structure, and some of the ways structure is currently being misused (in my opinion). But structure is still a massively useful concept, and that usefulness is the reason behind the huge focus so many how-to-write books and
Read more →Almost all of the references I can find on structure start by talking about the order things happen in. They basically approach structure as playing with chronology through flashbacks and other not-strictly-linear storytelling techniques. Once they’ve said that, 98% immediately revert to talking about one of two
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