One of the persistent questions writers get is “Where do you find the time?” This ignores two basic things: first, nobody finds or saves time, really. We all have 24 hours a day, which arrives one nanosecond at a time at the same pace (though how we
Read more →Like most readers, I really hate it when my favorite character dies, whether it’s in mid-story or right at the end (though the longer the character has been around, the more I’m invested and the more I hate losing them). But there are some stories that I
Read more →The other day, I got a note from a gentleman who disliked one of my stories. The characters shouldn’t have been like this, the plot shouldn’t have gone like that, the structure didn’t make sense, the climax was unsatisfying. I ought to have done X and Y
Read more →One of the ways writers make progress in their work is by answering questions: Who murdered the butler? Why did the rabbit stew explode? Where did George get those kneebles, and what is he planning to do with them? But in order to answer a question, one
Read more →“You can’t solve a problem you’re not willing to have.” – Dave Evans A problem you’re not willing to have is one of those where you’re complaining about the wrong thing, usually something you can’t fix, and absolutely refusing to admit that the problem is really something
Read more →In the past two months, at least five different people have said something to me along the lines of “My teacher said/some professional writer said/my crit group says/I have observed [insert writing technique] is the rule for [insert writing problem or situation]. So is that a rule?”
Read more →Primary characters are the big ones: the hero/protagonist, the villain/antagonist, the main viewpoint character. These are the characters the reader identifies as the ones the story is about. They’re the ones with the biggest stake in the outcome of the story, and usually they’re the ones who
Read more →Unsurprisingly, major characters are the ones who are the subjects of much writing advice on characterization. They’re the ones readers are most likely to notice and remember, because they are onstage the most and have the most impact on the protagonist and the plot. In an ensemble-cast
Read more →First, a small announcement: Amazon has my Lyra novels on their Kindle monthly deal for $3.99 for the whole month of February, so if you don’t have them in e-book and want them, this is a reasonably good time to pick them up. On to the post.
Read more →Minor characters are the second rung up from walk-ons. They occupy many of the same niches as walk-ons – cab driver, waitperson, store clerk, army private, city guard, maintenance worker – but they’re not just there in the background. They interact with the central characters in more
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