I just spent two weeks “on vacation” in Orlando, FL (which is a long story, full of disasters and near-disasters, but which ended up being fun and relaxing in spite of everything), and now I have to get back into a work rhythm that I’ve been totally
Read more →Happy Thanksgiving, everyone. In case anyone doesn’t have an e-book of SORCERY AND CECELIA and wants one, a bunch of places are doing Black Friday/Cyber Week discounts. Amazon will have it at $1.99 on Friday, 11/25; Kobo will promote it on 11/28, and Apple’s Cyber Week (I’m
Read more →Plot holes are often one of the first things writers (and editors, and readers) look for in a first draft. That character who got mugged walking home from the bar – why was he walking when you mentioned two chapters back that he arrived on a bicycle?
Read more →Rolling revision is another one of those controversial writing techniques that many people discourage but a few people swear by. I am a rolling reviser, but I recognize that for a lot of writers, it has serious drawbacks, so I’ll try to talk about it from both
Read more →Nanowrimo started yesterday. In case you’ve been living under a rock for the last seventeen years, Nanowrimo is short for National Novel Writing Month, a writer’s challenge that started in 1999 with the idea of writing a 50,000 word novel between November 1 and 11:59 on November
Read more →A quick aside: Sorcery and Cecelia in ebook form is on sale today, Wednesday October 26, for $1.99 through the International BookBub newsletter. So if you were waiting to pick up a copy, now’s your chance. Back to our regularly scheduled post. Regardless of whether an author
Read more →Different writers get different things “for free” – that is, different techniques and skills come naturally to different writers. I learned this early on, but it took years before I realized that I needed to apply that knowledge to more than my own first draft, and years
Read more →If subplots are “a secondary sequence of action,” what’s the point of having them? Isn’t the primary sequence of action enough? There are quite a lot of points, it turns out, depending on the sort of story one is writing and where one wants it to go.
Read more →The Concise Oxford Dictionary of Literary Terms defines a subplot as “a secondary sequence of actions in a dramatic or narrative work,” which is true enough, but not always much help when you’re having difficulty figuring out which parts of your manuscript are subplots and which aren’t.
Read more →Having lots of viewpoint characters is usually one major reason for a proliferation of subplots. Each viewpoint character is the protagonist of his/her own story, and that story inevitably has its own subplots. So if you normally find that your stories have two subplots, and your novel
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