Narrative drive is the thing about a story that makes it a compulsive read. It what creates the just-one-more-page/scene/chapter syndrome, the I-stayed-up-til-three-a.m.-to-finish condition, the thing that makes certain series like eating potato chips. And it has absolutely nothing to do with action, and very little to
Read more →Everybody gets 24 hours per day, 7 days per week. That’s 168 hours, total. Nobody gets any more; nobody gets any less. Yet somehow one of the first things that gets asked when I talk to a bunch of would-be writers is “How do you make time
Read more →Rewriting is inevitable. Most of us are well aware that our manuscripts are not perfect the first time around. Many of us depend on beta readers and critique groups and various other pre-submission review-and-refurbish processes to whip our rough drafts into shape. Those who for one reason
Read more →No writer I know can get through an entire novel without stopping at some point to make up more stuff, not even the most organized and linear of planners. The pantsers who make it up as they go along are a whole different kettle of fish, but
Read more →Looking at the story development process the way I have been in these last few posts makes it seem logical and straightforward, but that’s only because I was looking at one angle at a time. In actual fact, when one is making stuff up for a real
Read more →Starting with a setting, rather than with a plot or characters, is a lot more common than many non-writers think. This is because “setting” as used by writers encompasses a whole lot more than simply the physical environment. Yes, you will occasionally hear a writer say “I
Read more →Every writer I know has a lot of trouble with some part of the making-up process. The most common difficulties seem to be with plot, or with characters…and quite often, the people who find making up characters “the easy part” have horrible difficulties with plot, and vice
Read more →The plot-centered story is popularly assumed to be the territory of the action-adventure story. This is because action-adventure pretty much requires a strong plot. But we’re talking about process here, and the way writers make stuff up, and that means that the kind of story is irrelevant.
Read more →Writing fiction comes in two parts: making it up, and writing it down. For some writers – the seat-of-the-pants sort who just sit down and wing it – the two things happen simultaneously, or at least so close together that it is practically impossible for anything working
Read more →For a writer, stories start in all sorts of places. Sometimes, it’s a headline that makes you think “If that had happened a little sooner, or in a different place, or to someone who wasn’t a celebrity…” or “What happens if they keep doing this?” Sometimes it’s
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