Multiple viewpoint, part 1

Let me start by defining “multiple viewpoint.” A multiple-viewpoint story is one in which the scenes, chapters, or sections are written either from the point of view of different characters, or using different types of viewpoint (e.g. first person for the first scene/section/chapter, tight-third for the second),

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Who sees?

Picking a viewpoint character seems to be one of those things that writers either have no trouble with at all, or else struggle with for weeks and/or multiple drafts. It seems to be a particular problem for people who are writing multiple-viewpoint structures, where there are several

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Guesstimating length

A lot of writers I follow blithely spout how this story is going to run 70 thousand words, or 100 or 120, as if they can somehow see the eventual number of pages laid out before them in a crystal ball or something. Me, I have no

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Messing Around with Post-Its

As I mentioned last post, I’m three chapters into the WIP with a not-too-urgent but nonetheless looming deadline and have discovered a need for some more development before I continue. There are two sorts of work I need to do: macro-level and micro-level. The macro-level stuff is

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Later developments

The ideas I was talking about in the last post are seldom ready-to-write when they arrive. Even the ones that look ready to go often turn out not to be when one gets right down to it. I’ve talked before about the pre-writing story development, so this

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Meeting the Muse

“Where do you get your ideas?” Every writer I know is sick of being asked this question. Many writers have developed snappy non-answers: from a post office box in Schenectady, from a secret subscription service, from an idea-fairy who leaves them on the desk whenever I leave

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Conferences and conventions

Writing conferences are something that I think deserve their own post. There are quite a lot of them, and they are sufficiently dissimilar that one really shouldn’t just pick one at random to attend. Like everything else, each type works well for some things (and writers) and

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What kind of business are you?

My tax guy said I should create a business identity that the money will go to (if I ever sell a book) rather than just my name. I don’t know whether that means I have to sign the agent contract with my “business” name or not.  Generally

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Business

We now reach the third leg of the professional-writing stool: Business. At first glance, this doesn’t seem to have anything to do with the writing part of writing-as-a-profession. Business is all about the profession part, right? And logically, that means that writers who don’t care about “having

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