A couple of weeks ago, I was on a conference call with my editor and agent. One thing led to another, and I now find myself mostly-committed (i.e., I don’t actually have a contract, but the backbrain is moving ahead full steam anyway) to a totally new
Read more →When I was in high school, one of the rituals that came along during senior year was called something like Career Inventory Day, when you spent the morning taking a battery of tests that was supposed to tell you what career you were most likely to be
Read more →A while back, I was talking to an Earnest Young Writer, who informed me with great intensity that the story she was writing had a Theme, and that she couldn’t do anything about certain objections she was getting from her beta readers because that would destroy what
Read more →It’s been over a year since my last post on query letters, and frankly, after writing four different posts on the topic, I didn’t think I had anything else to say. After all, the basics of query letter writing don’t change much, mainly because its purpose hasn’t
Read more →“Turning point: The point at which a decisive change takes place.” – Oxford American Dictionary Some while ago, I got about a half-page of questions on turning points from someone who was writing an article on the subject. They were an odd mix of the sort of
Read more →Having spent the weekend being very thoroughly distracted by my 40th college reunion (at which they gave me a Distinguished Alumni Achievement Award, much to my astonishment [and thank you to everyone who worked on that]), I didn’t have a lot prepared for today’s blog. So I
Read more →Whether you end up revising Chapter One every few scenes or wait until you have a complete draft to revise it (or even to write it), it usually helps to think a little about the things that you want the chapter to do. First and foremost, of
Read more →The third problem that article-writer had with Chapter Ones was “too much background and too much telling.” His answer was to cut out all the description. Unfortunately, this “simple and obvious” solution isn’t a universal one – in the first place, it doesn’t allow for differences in
Read more →The second deadly Chapter One problem that was mentioned in the article that started me off on this series was “The action is weak or meaningless.” This is obviously a problem, but simply saying “Make it strong and meaningful instead” doesn’t tell you much about how to
Read more →Here is where we start going through the three “boring first chapter” problems and ways to fix them…and a few ways not to fix them. First up is the most basic and obvious problem: “The reader doesn’t care about the hero(ine) yet.” This is kind of a
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