Strengths and weaknesses

One of the questions I get a lot, especially when a class of students has been asked to come up with three questions each, is “Which one of your books is the best?” It’s not quite up there with “Where do you get your ideas?” but it’s

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Six things I wish I’d known

Last Friday, Minnesota Public Radio reran a series of round-table shows in which they asked groups of people from various professions – teacher, musician, entrepreneur, doctor – what six things they wish they had known when they were starting out in their profession. Most of the answers

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Finding Time

Everybody has too much to do, always. You can tell, because half the time, the first thing people ask a writer is “When do you find time to write?” (the other half the time, the first thing is “Where do you get your ideas?” and the second

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Switching viewpoints

Last week, I got an interesting question in my email, sparked by the posts on multiple viewpoint. The writer wanted to know about switching types of viewpoint – that is, writing a multiple-viewpoint story in which some POV characters are written in first-person and some in third-person.

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More on using multiple viewpoint

A couple of folks had questions about the last post, most notably “How do you know your story is complex enough for multiple viewpoint?” and “Does it count as multiple viewpoint if it’s a camera-type that follows different characters?” So I thought I’d spend another post on

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Setting out to do multiple viewpoint

Note to self: When the blog posting date happens the day after a major busy day (like, say, the day the taxes are due), write it in advance, because you are going to get home from dropping stuff in the mail and collapse and completely forget to

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Character voices

Announcements: For the past year, Tim Cooper has been running around Minneapolis taking pictures of different people reading Emma Bull’s War for the Oaks in places featured in the book. He’s currently running a kickstarter project to finance an art book collecting all the photos. Check it

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From the mailbag #7

How much do you develop your characters prior to their appearance onstage? Not much. Usually, they either walk into my head fully formed or develop as I write them. Very occasionally, I’ll poke at one of them before I start writing, but it never seems to be

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Plotting in bits and pieces

There are a myriad of books out there on how to construct a plot. Most of them, so far as I can tell, seem to take one of two approaches: either they focus on the main character as the driver of the plot, or they focus on

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