Last week, I got an interesting question in my email, sparked by the posts on multiple viewpoint. The writer wanted to know about switching types of viewpoint – that is, writing a multiple-viewpoint story in which some POV characters are written in first-person and some in third-person.
Read more →I recently read a dual-viewpoint story that I nearly put down right in the middle, even though I’d been thoroughly enjoying it up until that point, because of the way the author handled the viewpoints. Specifically, the question of which viewpoint to use to tell the reader
Read more →A couple of folks had questions about the last post, most notably “How do you know your story is complex enough for multiple viewpoint?” and “Does it count as multiple viewpoint if it’s a camera-type that follows different characters?” So I thought I’d spend another post on
Read more →Note to self: When the blog posting date happens the day after a major busy day (like, say, the day the taxes are due), write it in advance, because you are going to get home from dropping stuff in the mail and collapse and completely forget to
Read more →Announcements: For the past year, Tim Cooper has been running around Minneapolis taking pictures of different people reading Emma Bull’s War for the Oaks in places featured in the book. He’s currently running a kickstarter project to finance an art book collecting all the photos. Check it
Read more →How much do you develop your characters prior to their appearance onstage? Not much. Usually, they either walk into my head fully formed or develop as I write them. Very occasionally, I’ll poke at one of them before I start writing, but it never seems to be
Read more →There are a myriad of books out there on how to construct a plot. Most of them, so far as I can tell, seem to take one of two approaches: either they focus on the main character as the driver of the plot, or they focus on
Read more →A lot of writing books lately seem to focus on scenes – what they are, how they work, and of course how to write great ones. Most of the books I’ve read urge writers to start by deciding on the point of the scene, or the characters’
Read more →Originality is something that is prized in modern-day fiction, at the very same time it is proclaimed to be impossible. You can find innumerable web pages and writing books that tell you solemnly that “there is nothing new under the sun,” that “there are no more original
Read more →As some of you may know, I knit. (My current project is a heavily cabled cape [scroll down a bit for the pattern picture] and it’s my first time doing complex cables. I’m about halfway through and having a blast.) Every so often, I take one of
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