Alternate History

One of several things I discovered this week is that when you have 31 hours of driving (spit over several days), a convention gig, and most especially a bunch of editorial revisions to do on a collection of blog posts, remembering that you also have to write

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The Name on the Cover

One of the first decisions writers have to make, once they’ve actually sold a manuscript, is what name to write under. There are a lot of possible considerations here, so let’s start with your actual name. My current full name is Patricia Collins Wrede; I could have

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Some Useful Books

First, the exciting news (exciting for me, anyway): I have just signed the contract to do a collection of these blog posts (selected, edited, and occasionally augmented) on writing for Diversion Books. It should be coming out in December as an e-book with a hard-copy option (so

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Not-Writing

One of the most common questions I get, right up there with “Where do you get your ideas?” and “How can I get published?”, is “How do you deal with writer’s block?” Sometimes it gets asked plaintively; sometimes with a note of desperation. Once in a great

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Opinions on villains

“A villain is the one who knows the most and cares the least.” – Chuck Klosterman  I get a lot of good blog ideas from radio quotes. That one came in a July 9, 2013 NPR segment interviewing Mr. Klosterman, who has just written a book about real

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Simple and complex

OK, first as regards the computer problems: They are tearing down and rebuilding a house just down the street from me, which evidently was the cause of the problem. Unfortunately, the work is ongoing…and on top of that, they are going to start tearing down and rebuilding

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Jigsaw puzzles and Tinker Toys

Sometimes it seems that there are a zillion different metaphors for how writers construct a plot. There’s the sculpture metaphor (carve away everything that doesn’t look like an elephant). There’s the pottery-making metaphor (add a lump of clay, work it until you have the center, then shape

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Fairy tales and plot

Years ago, when I was just starting to learn my craft, I attended a panel at which someone asked a question about plotting, plots, and how to come up with a good plot. One of the panelists immediately replied that the best way to learn to plot

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Macro and Micro

Practically every how-to-write book I’ve ever read (and I have read quite a few) breaks down “writing fiction” into a bunch of different areas – plot, characterization, structure, dialog, theme, etc. – and then examines each area separately, usually at the level of sentences or paragraphs. This

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