Collaborating, Part 1

People go into collaborations for different reasons…and each project, and each co-author, is a different situation. Sometimes, two or more writers collaborate because they came up with a brilliant idea in the bar at three in the morning…and next day, it still looks brilliant and fun. Sometimes,

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Speed

There is an old saying that goes something like: “You can have it fast, you can have it cheap, you can have it good. Pick any two.” Meaning that if you want it fast and cheap, it won’t be good; if you want it fast and good,

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More on Prologues

The whole point of a good prologue is to do something that the writer cannot do in the main part of the story without violating some important aspect of storytelling, like chronology or viewpoint or continuity. For instance, if the main story is told entirely from the

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The Problem with Prologues

Prologues are out of favor these days, one of the “forbidden” (by whom?) writing techniques, yet people keep asking about them because they know intuitively that the technique has enormous possibilities. Quite a few folks go ahead and use them anyway. Sometimes this works brilliantly; other times,

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Not Flashing Back

Flashbacks are one of those indispensable writers’ tools that tend to alternately get encouraged and discouraged, depending on whether or not they’ve been overused and abused recently or not. They’re a way of slipping the reader back into the past of the story, so that a particularly

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Keeping track

When a writer has a big, complicated novel with lots of subplots and plot arcs that need to weave around each other, there are two main things he/she needs to do: 1) keep track of all the things that are going on offstage and in different plot

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Imagination

The holiday season is a time for parties, especially the sort of parties that people throw in order to introduce interesting friends and neighbors to other interesting friends and neighbors they haven’t met but might like. It’s a great way to meet interesting people, and the first

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