Too many, too much

There’s a problem I’ve noticed cropping up more and more often lately, in the way some authors first develop and then over-develop their plots and subplots, allowing both them and their characters to proliferate beyond the ability of mere mortals to keep track of them all, until

Read more

When is it over?

When is the story over? Really over, I mean, as in “this is the last paragraph, and what comes next is ‘The End’ at the bottom of the page.” This is usually some way after the big climax in which the central story problem is solved (they

Read more

Obstacles in the Middle

Last post, Libby said: I’ve been having trouble with that point in a story from the lead-up to the climax to the aftermath… once I hit the part where all the stuff I’ve been alluding to has to APPEAR, things tend to go over too smoothly and

Read more

Fear

All writers are afraid of something at one point or another. We are afraid of looking foolish; we are afraid of rejection; we are afraid of overreaching, of not knowing how, of getting it wrong, of not being good enough. We’re afraid of being broke, being taken

Read more

Making an impact

A novel is not a movie; writing a scene is not the same as filming one. It is amazingly easy to forget this, when we are constantly bombarded with visuals in our everyday lives, from movies and TV, to YouTube and those animated ads that are all

Read more

Reactions

One of the things that bites even experienced writers from time to time is giving insufficient consideration to the ways their characters react to things. (Me blogging about this has nothing to do with the fact that I just turned in the copyedit for The Far West

Read more

…Or Not to Sell Out

There’s another side to the whole selling-out discussion that rarely gets looked at. And that’s the folks who think that if there is any resemblance whatsoever between what they want to write and any recent bestseller, they must be selling out. Or that everyone will think they are

Read more