On Characters

There are four really, really important things to remember about characters: Characters are people. (Yes, even if they’re aliens or elves or talking rabbits.) People, and therefore characters, are all the same. People, and therefore characters, are all different. Most important of all: Every person, and therefore

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Cash flow

Back when I was just out of college, I remember laughing at one of my friends who was complaining about the effects of her promotion on her budget. “Sure, I get more money now,” she said. “But I only get it every two weeks, not every Friday!

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Big three redux

I’ve talked more than once about the Big Three – plot, characterization, and setting. They started off as the earliest writing advice I recall getting (and I wish I could remember the name of the writer who told me that, so I could credit him properly), as

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Hardy perennial

“Where do you get your ideas?” is probably the most-asked question writers get, and one of the reasons writers hate getting it is because it can actually be fairly hard to answer. Oh, not if the person asking the question is a semi-interested reader who’s more interested in making

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Murphy is a writer’s best friend

Lately, I’ve been getting anxious queries from a lot of close friends, who know a) exactly when my book deadline is, b) just how many other desperately important things I have going on to distract me from writing, and c) how many plot threads I still have

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Some uses for fanfiction

Fanfiction is a fascinating phenomenon. Yes, yes, I know that there’s still a huge argument going on between the people who think it’s all right to do and the people who consider it illegal, unethical, and unprofessional, but I think it’s a rather silly argument, on the

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Truth and Fiction

It is an odd and interesting thing that in a group of professional liars and their willing audiences, there are so many people who are so deeply concerned with telling the truth. Fiction is made-up – that’s part of the basic definition (though calling it a flat-out

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Why did he do that?

Back in high school, I read a lot of mystery novels, many of which were police procedurals, and I got the basic triumvirate for figuring out who was the killer pounded into my brain: Means, motive, and opportunity. They actually apply to any villain undertaking any dastardly

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