Ms. Wrede, do you use a plot skeleton? asked the earnest student. How do you apply it to your work? I sat there for a minute, completely slumguzzled. Because the question was coming from such an alien perspective that it took me a while to come up
Read more →When I first started writing, I didn’t pay too much attention to the way people spoke. I figured I was lucky to get my characters to sound as if they were holding a real conversation, rather than reading alternate paragraphs from an 18th century tome on rhetorical
Read more →As you may recall, dear reader, in our last exciting episode on Wednesday morning I stated categorically that I wouldn’t be doing NaNoWriMo this year for a lot of good reasons, including house guests, Thanksgiving, and general life workload. November-December are supposed to be slow months for work,
Read more →November approaches, and with it comes National Novel Writing Month, a “writing event” that involves people all over the world trying to write a 50,000 word novel from scratch during the month of November. Along with NaNoWriMo comes, inevitably, a flock of earnest would-be writers asking whether
Read more →I wrote my first novel on a typewriter, and one of my most vivid memories of that is proofreading the final submission draft and trying to decide, over and over, whether it was worth retyping a whole page in order to get rid of one too-common word
Read more →One of the things writers are urged to do, over and over, is to create characters who grow and change over the course of their adventures. Obviously, growth and change are not an absolute requirement; there are plenty of long-running series in which the characters are exactly the
Read more →One of the questions I get asked a lot is “how did you decide to be a writer?” And the short answer is, I didn’t. Oh, I’ve been writing since I started my first (unfinished, unpublishable) novel in seventh grade, but it was always about writing, not
Read more →There is no bad way to write a story. No editor cares how you wrote it. No editor, to my knowledge, has ever rejected a story on the grounds that the author did not have a plan, character sketches, maps, or time lines before writing the story.
Read more →January of 2010 marked the thirtieth anniversary of the first time six would-be writers in Minneapolis got together and formed a critique group. Within five years, all seven of the eventual members sold, and six are still publishing (the seventh went back to his first love, music and
Read more →An awful lot of the techniques that get used in fiction have applications in nonfiction as well. They’re not necessary in nonfiction, but they can add a lot of appeal, interest, and readability, among other things. One of the less obvious candidates for this sort of usefulness
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