Complicated Webs

Big, fat, complex, multiple-viewpoint novels have been popular for quite a while, and they have a whole set of problems all their own. Once of those problems is pacing. The temptation is always to take advantage of a slow moment in the main plot to advance a

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Hup, Two, Three, Four

Pacing is movement, and movement has rhythm. Some rhythms are fast, staccato beats, rat-tat-tat-tat; some are slow, leisurely swells; and some are a steady heartbeat. One thing is true for all of them:  in order to have a beat, in order to have rhythm, there must be

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Walk, Run, or Jog?

Recently, I was reading an extremely long (quarter-of-a-million-words plus) book that shall remain nameless to avoid embarrassing the author. It held my interest enough to get me through to the end, but it left me curiously unsatisfied, with very little memory of the plot (which is quite

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