Last Wednesday, I finished reviewing the copy-edit of Across the Great Barrier, which was my last chance to make any major changes to the book. I’ll get another look at it when the galleys/page proofs come, but barring some totally egregious error that’s slipped past every single
Read more →Starting a completely new story is exciting. There aren’t any constraints to worry about: no dangling plot threads that you have to tie up, no previously established background that you have to stay consistent with, no inconvenient mysteries or revelations that you’re stuck with. It’s a clean slate,
Read more →Back in 1947, in an essay titled “On the Writing of Speculative Fiction” (since reprinted several times), Robert Heinlein wrote five rules for people who want to become professional writers. They’ve been republished many times, and for the most part, they’re still good (I’ll get to that
Read more →Transitions are a pain. It is very likely that I feel this way because I hate doing transitions, and the ones I write nearly always feel clunky to me. Some of the clunkiness is probably just my dislike of the process of producing one attaching itself to the
Read more →There’s an old story about time management and prioritizing that I dearly love, not least because I’ve seen it repurposed several times. The story, which I’m sure many of you are familiar with already, is the one about the professor who walks into class with a large
Read more →Humor has a reputation as one of the hardest and most under-appreciated types of writing there is. It’s a well-deserved reputation. Everyone over the age of five has at least watched someone else’s funny story fall flat, if not had it happen to themselves. And while you
Read more →Dialog is one of the bedrock necessities in about 99% of all fiction. Plays and screenplays are almost nothing but dialog, and it’s not unusual to see whole scenes or entire short stories that are told entirely in dialog (sometimes, without even speech tags to let the
Read more →Probably the most often-asked question writers get is “Where do you get your ideas?” Very few people ever ask “What do you do with your ideas once you have them?” though that seems to me to be the logical next step. It seems a good many people
Read more →“I don’t have time to write” is one of the most common writers’ complaints, both from people who haven’t published yet and from seasoned pros. The statement means different things to different people, but the most common meaning is “There are a lot of other things in
Read more →From the mailbag:: I know some people who feel quite strongly about keeping to the main character’s POV except when it’s absolutely necessary to go to someone else, but I’ve also seen that rule (like so many others!)broken successfully. It can be so useful to show someone
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