Meeting the cast

How well does a writer need to know her characters? There seem to be two sets of conventional wisdom about this. One holds that writing characters is rather like method acting – the writer has to become the character, so as to know them from the inside.

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Hurry up and wait

The first thing you need to know about getting published is that the process is best described as interminably long stretches of boredom and anxiety, punctuated by moments of panic and frantic activity. And this applies to the whole process, not just the submission part. Most people

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Down to the wire 2

OK, I said I’d post updates on how things are going. This week wasn’t bad, but everything is taking longer than I think it should (longer in the more-words-and-scenes sense, rather than longer in the more-time-to-write-one-scene sense). In one way, this is good; it means there’s lots

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Down to the wire

 Circuit Magician (the tentative title of the sequel to Thirteenth Child) has been giving me fits for months…years, if the truth be told. Many of the problems have been external (I didn’t have any control over when Mom had her stroke), but it’s also just a tough

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Dialog

Dialog is the primary way most of us communicate with each other, so it’s also the main way our characters communicate with each other. It’s really hard to write a satisfactory short story that has no dialogue at all, and the longer this story, the harder it is

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