Thanks to some last-minute schedule changes and cancellations, I am now very confident that the first draft of Circuit Magician will be finished by late this week, even if I don’t quite make the June 1 deadline. Since I’ve already cleared that with my editor, this will
Read more →How well does a writer need to know her characters? There seem to be two sets of conventional wisdom about this. One holds that writing characters is rather like method acting – the writer has to become the character, so as to know them from the inside.
Read more →One major plot point to go, and about a week and a half to do it in. I got lucky on the deadline – my editor is on vacation, and while he will be back June 1, he’ll be spending his first few days catching up. So
Read more →The first thing you need to know about getting published is that the process is best described as interminably long stretches of boredom and anxiety, punctuated by moments of panic and frantic activity. And this applies to the whole process, not just the submission part. Most people
Read more →OK, I said I’d post updates on how things are going. This week wasn’t bad, but everything is taking longer than I think it should (longer in the more-words-and-scenes sense, rather than longer in the more-time-to-write-one-scene sense). In one way, this is good; it means there’s lots
Read more →Circuit Magician (the tentative title of the sequel to Thirteenth Child) has been giving me fits for months…years, if the truth be told. Many of the problems have been external (I didn’t have any control over when Mom had her stroke), but it’s also just a tough
Read more →Dialog is the primary way most of us communicate with each other, so it’s also the main way our characters communicate with each other. It’s really hard to write a satisfactory short story that has no dialogue at all, and the longer this story, the harder it is
Read more →So after rambling on for three posts, I’m finally getting down to the nuts and bolts of writing action scenes. One of the first pieces of action-writing advice you find is usually “Use short sentences and sentence fragments,” because they pick up the pace, and an action scene
Read more →I thought I was going to get to the nitty-gritty of technique today, but it seems I have a bit more to say about the nitty-gritty of planning. What you need to know up front (unless you are a total “surprise me” writer, who can’t know anything
Read more →So how do you build an action scene? There are a lot of things to consider. Some of them will be dictated by decisions the writer has made earlier in the story, and the first and most important of these is viewpoint, which frequently implies level. Action can
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