Planning Longer Plots

There are three basic ways to handle plotting a story, whether it’s a short story, a stand-alone novel, or an epic twenty-volume series:  1) You can do it intuitively as you write, 2) You can plan it out in advance, or 3) You can write a bunch

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Onward and onward

I’ve been mulling over green_knight and accio_aqualung’s request for something on plotting multi-volume stories for a few days now. It’s not easy, because on this question, I’m working mainly from observation. The closest I’ve come to writing a multi-volume story myself are 1) the Lyra books, which

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The End

What makes an ending “The End”? In a word: closure. At the end of the story, whether the heroine won or lost, she’s not going to get another chance to try. The Evil Overlord is gone for good, the wedding is on (or off), the murderer has

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The Other Big Three

When professional writers are asked “what are the books you keep within arm’s reach of your desk or computer?”, many of the lists have for years included Strunk and White’s The Elements of Style. Fowler’s Modern English Usage is also popular, as is The Chicago Manual of

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Where do I begin…

How do you decide where a story starts? Stories, short or long, generally are not about characters who are happily living their normal lives. Something unusual is going on; something has upset the status quo (whether the status quo was a miserable life as a slave, or

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A Different View

One of the problems with talking about writing is that the terminology isn’t standardized. Even when everybody agrees what something is called, the same word gets used to mean other things, which can lead to confusion. Take the term “viewpoint.” It can mean either the person through

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