“How could you write about anything without wondering if it was true? I mean, you’d be describing a bird in a garden and suddenly there would be that awful question in your mind, did they have birds in the fourth century?” (Christopher Isherwood to Gore Vidal, Harpers,
Read more →Once you “have an idea,” the next bit of the process for most writers is developing it into a story. How one develops an idea depends largely on the writer and the idea. For a lot of us, the first stage is kind of like the effect
Read more →The single most common question people ask writers — especially SF/F writers — is “Where do you get your ideas?” The assumption always seems to be that ideas are hard to come by. But it’s not really the ideas themselves that are hard. For instance, anyone can sit
Read more →For some reason, I keep running into writers — mostly those who aren’t yet published, but sometimes ones who are — who seem to have gotten the impression that there is some sort of checklist that editors work through before they’ll buy a book. I ran into
Read more →One of the things nobody ever mentioned to me when I was getting started as a writer was that if I ever got to be a full-time professional, I was going to be, in essence, a self-employed businessperson, with all the troubles and responsibilities (assorted taxes, health
Read more →Exactly what constitutes “good writing” is a subjective judgment, and it can be extremely hard to separate from one’s personal taste – not the least because one is unlikely to read books one doesn’t like, and if one doesn’t read them, one can’t tell whether they’re “good writing”
Read more →Years ago, when I was an unpublished wannabe, I was at a local SF convention trying to learn the True Secret of Writing from the professional writers in attendance. One of them (I think it may have been Gordy Dickson) threw out a piece of advice that
Read more →Alex asked “how you felt about the stand alone getting a sequel with the Kate and Cecelia books. I think you did an amazing job with escalation with these books, but did you have a hard time creating the right level of escalation?” Well, for starters, “getting
Read more →The comments on the last post started getting into endings and the escalation of threat, particularly as related to series books, and I discovered I had quite a lot to say on the subject even though I haven’t written a long-running series myself. The first thing is
Read more →There are a couple of ways of looking at plot, ranging from the bird’s-eye view at a macro level to the order of scenes, and events and incidents within scenes. The one most people run across first — and one of the most useful ways of looking
Read more →
