Alex asked “how you felt about the stand alone getting a sequel with the Kate and Cecelia books. I think you did an amazing job with escalation with these books, but did you have a hard time creating the right level of escalation?” Well, for starters, “getting
Read more →The comments on the last post started getting into endings and the escalation of threat, particularly as related to series books, and I discovered I had quite a lot to say on the subject even though I haven’t written a long-running series myself. The first thing is
Read more →There are a couple of ways of looking at plot, ranging from the bird’s-eye view at a macro level to the order of scenes, and events and incidents within scenes. The one most people run across first — and one of the most useful ways of looking
Read more →In the comments on the last post, S.A. Cox said “Historically, however, with both writing and teaching, one of the main keys to my development has been trusting my instincts about what is working and what isn’t, and then working like a dog at what isn’t.” My
Read more →Every writer has something – some part of writing, however tiny – that comes easily (or at least, more easily than the rest of it). For some it’s action scenes; for others, it’s deep characterization; for others it’s plot or dialog or structure or theme. But there’s
Read more →Every once in a while, I run across people who are baffled and frustrated by the behavior of certain talented friends of theirs. “They can write great stuff; why don’t they?” “Their fanfic is great; why don’t they try to submit stuff professionally?” “They’ve sold a bunch of books;
Read more →To my mind, a purely altruistic, goody-two-shoes hero is even more boring and unrealistic than a purely evil villain. Maybe because at least the villain is getting something out of being a villain? All those armies to order around, and castles, and power, and so on. OK, people
Read more →I probably should have posted this first, if I was going to blog about getting stuck. Because one of the more important things a writer needs to do when they’re stuck, before trying to apply any of the techniques I was talking about, is to figure out
Read more →Back when I was in 7th grade, I took a summer sewing class. On the first day, they showed everybody how to work the sewing machine and then gave us pieces of paper to “sew” with a dull needle and no thread, so we could learn how to
Read more →I’ve been getting quite a few questions in the mailbag recently about writer’s block, and invariably they end with the anguished plea, “How do you know what happens next?” Which is a lot of the problem right there, in my opinion. Because “What happens next?” and “What
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