One of the perennial questions every professional writer gets is, “How do you find time to write?”
One of the common answers to that question is, “You don’t find time. You make time. People can always make time for what they love to do.” Followed by a few examples of extreme time-finding, like my friend who taught herself to type while breast-feeding because it was the only time she sat down all day. And that’s all true…
…except when it isn’t.
See, about 90% of the people who ask that question are like the would-be writer who, when questioned about “having literally no time to write,” revealed that he watched 6 hours of TV every night, and absolutely, positively, could not under any circumstances give up watching any of the programs he was following. (I responded by shrugging and saying, “Obviously, you love TV more than you love writing.”)
But every so often, I run across one of the other 10%. After this long I have gotten a lot better at spotting them and, I hope, telling them the thing they need to hear.
My first encounter with someone like this was back in the very earliest part of my career, at an SF convention when an editor took about fifteen of the publisher’s newly published writers out for a mass dinner. It was a terrific dinner, good wine, great food, even greater conversation. I happened to be sitting just down from the editor when the waiter came with the check.
The writer between me and the editor started to pull out her wallet to contribute her part of the meal. The editor, of course, waved her away, saying, “No, no, the company is paying for this. It’s tax deductible.” As the waiter took off with the bill, the writer said, “But we’ve had such a good time! It feels wrong to get the company to pay for it, or deduct it on taxes.”
The editor looked at the writer, shook her head, and said gently, “[writername], neither the company nor the IRS cares that we enjoy our jobs. They only care that we’re doing them.”
That comment stuck with me. About seven years later, I ran into another new writer who had just published her first novel, a light “funny fantasy.” I’d read and enjoyed it, and I mentioned that to her. She sighed and went off on a long speech about how she really couldn’t justify spending all that time and effort on something with no redeeming social value, and if she was going to “waste time” writing, then shouldn’t she at least be writing nonfiction articles about important issues?
I don’t know that I convinced her that writing light fantasy was not a waste of her (or my) time..; I was much too taken aback by the gradual realization that this writer, who clearly loved writing, fantasy, and humor (which is really difficult for a lot of writers), considered all of them a “waste of time” because they were fun and easy for her, and neither “socially useful” nor clearly addressing specific issues she felt strongly about.
Since then, I’ve run into a surprising number of people who have similar opinions. They have a lot of difficulty “finding time” to write because they love it, because they don’t recognize that it’s okay to love and enjoy your job (or your hobby). Many of them seem to think that the mere fact that they find a task unpleasant means that it’s more useful, valuable, or important than the things they like doing. Sometimes, they “can’t justify” delegating these tasks to anyone else (because they’re unpleasant), even if the other person doesn’t actually dislike the task.
This mindset results in the things they love being corralled into smaller and smaller chunks of time as the person tries harder and harder to be “productive” and “useful” by doing all their unpleasant jobs before they allow themselves to have fun. And while there are certainly a fair number of truly necessary unpleasant tasks in one’s life that must be done at some point, something is wrong if there’s no time or energy left for anything else.
About half the people I’ve met who have this kind of difficulty are dealing with an obvious crisis going on—a family member with a terminal illness, the unexpected birth of triplets, the destruction of their home/business by fire or flood or hurricane. For them, I ask whether writing is their way of escaping things (in which case, it’s probably going to help if they squeeze in at least a little of it, because it will help them recharge and cope with the crisis), or whether writing is going to require more mental and emotional energy than they have available right now (in which case, it’s okay to temporarily suspend it until things settle down). Neither choice has to be “justified” beyond the realization that it’s the best way for them to cope (and by the way, how about you ask someone to bring over a casserole so that you at least don’t have to cook for a couple of nights?).
The other half of these folks are much more difficult to deal with, because for them, it’s not a crisis that’s driven them away from their writing. They’ve bought into the idea that everything they do has to be productive/useful/helpful in some clear and measurable way—that loving writing isn’t enough to justify doing it; that doing something that makes them (and, eventually, other people) happy for an hour or two isn’t enough, either; that they “should” be doing something they hate, but that “makes a difference” (i.e., one they can measure). They feel guilty about enjoying their job.
I don’t know that I’ve ever successfully persuaded one of these folks to change their mind, but I live in hope that I’ve at least gotten a few to think about what they’re doing.
Even though I don’t feel like it being pleasant makes it inherently useless (I’m well aware at this point that fiction writing is therapeutic for me), I do struggle with the “I should be doing all these other useful things instead.” So thanks, I did need this article today.
It’s entirely possible to write a light, funny fantasy while addressing a serious issue – just bury it in the subtext.
The romance between a couple of silly but lovable high elf twits can be all kinds of fun. Meanwhile, the serious stuff is there for the readers to pick up on; for example, the economic inequality with how the goblin servants are being exploited.
For me, trying to write something on a couple of levels makes it more fun (YMMV). It makes for a good challenge, anyway. I wrote an entire novel with an underlying implication that everyone in it might well be dead, and the setting was some strange afterlife.
Wow, good timing!
Just got off Fall Break and I already feel drained again, without the mental energy or inclination to write much. I’ve already made the decision to do one more semester and get my Associate degree, but as much as I love learning, I hate school–so is the benefit of doing more of it while I have a scholarship worth the cost on my time and mental energy?
On the other hand, what would I be doing if I weren’t in school? Maybe writing books, except that holding down a job is more important right now, and that drops me right back to where I am now–do I have the inclination and mental energy to write much?
I have to admit, I feel like a weird cross between your 2 types of people, because I do spend a lot of time on entertainment each day and could absolutely cut that out for writing if I wanted, but then I have all my More Important things sapping my energy before I even get started and the entertainment is my current way to cope. (Coping with life used to be writing’s job, until I started getting serious about producing quality stories and realized how much effort it takes.)
Something that occasionally gets through to people caught in this type of trap is to ask, “This life that you think is morally right for you–only doing things that are measurably useful, with no time set aside for “frivolous” fun activities–would you want to inflict it on someone else? Is that how you think your best friend should live their life? Your child?
“If not, why are you different?”
(Tangentially, those quote marks are correct according to my sources, but it looks so wrong, I’d put stage business in just to break it up. Sometimes being right is no defense.)
Light, fluffy, and entertaining does immediate good in that it provides pleasure and relieves the pain of daily life.
A SERIOUS work only does good indirectly by what it may — or may not — induce in its readers.
This. Hits. Home.
I *keep* having conversations with myself in which I realize that I feel guilty for not getting my writing done, but I also feel guilty for doing my writing, because it’s fun for me.
The very weird way I’ve found to get out of this is to do my sewing. Not mending, which is indisputably useful, but sewing, which I enjoy to no end no matter how much I do or do not need the thing I am making. Once I’ve gotten a few hours in, my life in general improves, and I find it easier to do both the pleasant and unpleasant tasks which are needful for my life to function.
I haven’t quite figured out *why* this works, but I’ve learned not to question it. Even when I’m feeling panicked about looming deadlines, sewing will get there faster than yelling at myself and getting entrenched in a fearful mindset. Works for my adult niece, too. Pretty sure it isn’t generalizable to the entire population, though.
I am having a lot of stress at work, and I am getting through the Zoom meetings by crocheting, keeping my hands below the camera level. It really does help.
I am just about at the point where I can get back to writing after a year of dropping everything to deal with a chain of crises, so this is very timely indeed.
Also, hi, everyone. Missed hanging out here.
Hi!