Even in a novel that has a prologue, the writer will, at some point, need to get more context into the story somehow. (Most novels don’t need a prologue–see last week’s post–and those that do, don’t need the twenty-plus pages that would give the reader everything they might
Read more →… I bog down in considerations of what the readers need to know, and if don’t put it right at the beginning then when, and how many flashbacks can one novel support? Part two of the now-three-part answer to this, i.e. “There are a lot of ways
Read more →A character’s backstory – all the stuff that happened to them prior to the start of the novel – starts with the highs, lows, traumas, and major life events of the character’s past. This is the stuff that has shaped the character’s personality – what they want,
Read more →While the amount of backstory the writer needs to make up, and whether they make it up in advance or as they write, varies a lot depending on the writer’s process, the amount that goes into the story has almost nothing to do with the writer’s process,
Read more →Backstory is one of the most potentially useful tools in the writer’s toolbox; it’s also one of the most often misused. First, a definition: Backstory, as I use the term, is anything and everything relevant that has happened prior to the start of the story. For most
Read more →The third problem that article-writer had with Chapter Ones was “too much background and too much telling.” His answer was to cut out all the description. Unfortunately, this “simple and obvious” solution isn’t a universal one – in the first place, it doesn’t allow for differences in
Read more →Infrastructure is all that everyday stuff we take for granted, from roads and bridges to garbage collection and cell phones. It’s one of the things that allows societies to function smoothly, if they want to. It’s vitally important…and it’s also vastly boring. Consequently, writers tend not to
Read more →I’ve always been fascinated with process and with what it takes to get that initial story-seed-idea developed enough to actually start writing it. One of the things I’ve noticed for years is the differences in what writers say they need in order to actually sit down and
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