I’ve been getting quite a few questions in the mailbag recently about writer’s block, and invariably they end with the anguished plea, “How do you know what happens next?” Which is a lot of the problem right there, in my opinion. Because “What happens next?” and “What
Read more →One of the things you see a lot in fantasy stories is a villain who is purely and simply evil and knows it. No rationalizations, no semi-plausible rationales, not even a rotten childhood to blame it on, just the Dark Lord Who Wants To Take Over The World Because He
Read more →One of the plagues of beginning writers is the feeling that they are doing something “wrong.” Not wrong in the sense of technique – messing up viewpoint, for instance – but that they have made, are making, or will make, a wrong decision about “what happens next.” They are
Read more →Description is one of those love-it-or-hate-it things. Some readers want more, more, more; they want to see every button and bead on the dress, every scratch on the woodwork. Other people roll their eyes and complain about slowing down the story when they run across long passages
Read more →One of the perennial questions I get from people, especially those who want to be writers, is “how do you come up with the names?”-meaning, usually, the “weird fantasy names” in settings that bear no resemblance to the “real world,” rather than the more ordinary names like
Read more →The “different panel” at 4th Street this year was on pacing and structure. I’ve been pondering it since then, and this is what I think (or part of it, anyway): Pacing is how fast it feels like things happen. Not how fast they actually do happen; what it feels like
Read more →Last weekend, at 4th Street Fantasycon, somebody asked me for a post that I did years back on Usenet, on the difference between the way short story writers and novelists might develop the same basic story idea. Here it is: Basically, short stories require a tight focus
Read more →I have just finished arguing with a would-be writer who a) is convinced that passive voice is evil and must be avoided at all times, and b) has, it turns out, no idea at all what passive voice actually is. I am therefore going to rant. Passive
Read more →One of the things you find a lot in writing books are prescriptions: This is THE (only right and workable best) way to write/develop a career as a writer. And they’re wrong. Or so I think, anyway. There is no One True Way to write. (This is
Read more →A good many years ago, I was on a panel about the business side of writing. About half the panel were full-time writers; the other half still had day jobs. During the question-and-answer session, someone directed a question at James P. Hogan, one of the other full-timers
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