The skeleton in the closet

There are a couple of ways of looking at plot, ranging from the bird’s-eye view at a macro level to the order of scenes, and events and incidents within scenes. The one most people run across first — and one of the most useful ways of looking

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What you get for free

Every writer has something – some part of writing, however tiny – that comes easily (or at least, more easily than the rest of it). For some it’s action scenes; for others, it’s deep characterization; for others it’s plot or dialog or structure or theme. But there’s

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Getting stuck, part II

I probably should have posted this first, if I was going to blog about getting stuck. Because one of the more important things a writer needs to do when they’re stuck, before trying to apply any of the techniques I was talking about, is to figure out

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Getting Stuck

I’ve been getting quite a few questions in the mailbag recently about writer’s block, and invariably they end with the anguished plea, “How do you know what happens next?” Which is a lot of the problem right there, in my opinion. Because “What happens next?” and “What

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The Big Bad

One of the things you see a lot in fantasy stories is  a villain who is purely and simply evil and knows it. No rationalizations, no semi-plausible rationales, not even a rotten childhood to blame it on, just the Dark Lord Who Wants To Take Over The World Because He

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Better or not?

One of the plagues of beginning writers is the feeling that they are doing something “wrong.” Not wrong in the sense of technique – messing up viewpoint, for instance – but that they have made, are making, or will make, a wrong decision about “what happens next.” They are

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The Naming of Names

One of the perennial questions I get from people, especially those who want to be writers, is “how do you come up with the names?”-meaning, usually, the “weird fantasy names” in settings that bear no resemblance to the “real world,” rather than the more ordinary names like

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