Got back to the daily frenzy yesterday. Going from vacation straight to house guests is enough to give you whiplash, even (or especially?) when the house guests are family… But part of the daily frenzy is the weekly blog post, so here I am. A couple of
Read more →Voice and viewpoint are inseparable, no matter what viewpoint the writer is using. This is true of all viewpoints to some extent, but it is most evident in first person. In first person, the viewpoint character is the putative storyteller, so that character’s voice is the narrative
Read more →In one sense, all narrators are unreliable. Whether first-person, tight-third, or omniscient, every narrator (like every human being) has his, her, or its own worldview and personal biases that affect the way they tell the story. Even if all of them were totally objective, the author, also
Read more →I spent last weekend mainly at Minicon 52 in Minneapolis, and generally had a wonderful time. There were a few eye-rolling moments (they’re still arguing about that? Really?) and lots of science geeking about recent discoveries (seven Earth-sized exoplanets in the Goldilocks zone of the TRAPPIST-1 system…which
Read more →Like most readers, I really hate it when my favorite character dies, whether it’s in mid-story or right at the end (though the longer the character has been around, the more I’m invested and the more I hate losing them). But there are some stories that I
Read more →One of the current fundamental tenets for writing fiction is that in order to be a “good book,” the central character in the story has to change as a result of the events in it. If one attempts to question this “requirement,” one is informed that if
Read more →Every person in the world has their own perspective, and most of them are different from yours. It follows that if you want to do realistic characters, many (if not most) of them will have perspectives that differ from yours. Which means that in order to make
Read more →Picking a viewpoint character seems to be one of those things that writers either have no trouble with at all, or else struggle with for weeks and/or multiple drafts. It seems to be a particular problem for people who are writing multiple-viewpoint structures, where there are several
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