For a lot of stories, the choice of viewpoint character seems obvious, either because the writer starts with a character and develops the plot later, or because they start with a plotline in which one particular character is at the center of the action. I said “seems
Read more →One way and another, a lot of pixels get used talking about making “well-rounded” or complex characters. I put “well-rounded” in scare quotes because it always makes me think of the advice I got in high school about being well-rounded – take many kinds of classes, try
Read more →Got back to the daily frenzy yesterday. Going from vacation straight to house guests is enough to give you whiplash, even (or especially?) when the house guests are family… But part of the daily frenzy is the weekly blog post, so here I am. A couple of
Read more →Voice and viewpoint are inseparable, no matter what viewpoint the writer is using. This is true of all viewpoints to some extent, but it is most evident in first person. In first person, the viewpoint character is the putative storyteller, so that character’s voice is the narrative
Read more →In one sense, all narrators are unreliable. Whether first-person, tight-third, or omniscient, every narrator (like every human being) has his, her, or its own worldview and personal biases that affect the way they tell the story. Even if all of them were totally objective, the author, also
Read more →I spent last weekend mainly at Minicon 52 in Minneapolis, and generally had a wonderful time. There were a few eye-rolling moments (they’re still arguing about that? Really?) and lots of science geeking about recent discoveries (seven Earth-sized exoplanets in the Goldilocks zone of the TRAPPIST-1 system…which
Read more →Like most readers, I really hate it when my favorite character dies, whether it’s in mid-story or right at the end (though the longer the character has been around, the more I’m invested and the more I hate losing them). But there are some stories that I
Read more →One of the current fundamental tenets for writing fiction is that in order to be a “good book,” the central character in the story has to change as a result of the events in it. If one attempts to question this “requirement,” one is informed that if
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