So, you have a story in which you have two characters in a scene, and each of them has information that you want your reader to know, and which you think (at least initially) that you can only let the reader know by being in that character’s
Read more →“What are the three worst or best bits of writing advice you’ve ever been given?” Somebody asked me that a while back, and it took me a while to come up with a reasonable answer, because at least one of them was perfectly horrible advice for me…but
Read more →Spelling, grammar, punctuation, syntax. For a lot of would-be writers, they seem to be love ‘em or leave ‘em – which is to say, many of the folks I talk to have either an absolute slavish devotion to formal grammar, punctuation, or else a firm conviction that
Read more →I’ve been saying for a long time that there are only two rules for writing: 1) You must write, and 2) What you write has to work. And I keep running into writers at opposite ends of the spectrum who really, really, reeeeeeaaaally don’t like that. The
Read more →One of the bits of advice that is often given to would-be writers is “Use strong verbs.” Apart from my usual allergy to rules and generalizations, one of the things that bothers me about this is that I’ve seldom seen anyone try to explain what it means,
Read more →For a variety of reasons, I thought today I’d do a rant on writing rules. OK, mostly it was because I haven’t done one for a while and I was in the mood for ranting. I started off by googling “fiction writing rules,” just to see what
Read more →“There are three rules for writing a novel. Unfortunately, no one knows what they are.” -W. Somerset Maugham I’ve had at least four questions from people in the last week or two about that hoary old piece of advice “show, don’t tell.” So even though I just
Read more →“Show, don’t tell” is one of the two most misunderstood and misapplied pieces of writing advice that are commonly given to new writers (the other being “write what you know,” but that’s a different post.) It’s most commonly trotted out in relation to characterization, where “show” generally
Read more →Around about twenty years back, I had the privilege of being at a convention where Judith Merril was appearing, and I made sure to go to every panel she was on. There weren’t a lot (she wasn’t in the best of health at the time), but when
Read more →For a certain kind of writer, the opening of a story is easy and fun – you get to allude to mysterious events and drop ominous clues. And then comes the middle, where all the stuff you’ve been alluding to has to start showing up and actually
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