Dialog is the little black dress of fiction. Almost every story includes some, and it’s not uncommon to find dialog occupying a large chunk of important scenes. Sometimes the entire scene, or even the whole story, is done in dialog (and I’m not counting plays or screenwriting).
Read more →Apparently there’s some interest in techniques for crowd control, so I’ll address that next post. In this one, I want to continue talking about characters’ voices, and ways of making them different. First, a couple of examples of what I mean by “characters who have radically different
Read more →Characters, like people, are different from each other. They are different ages and genders; they come from different countries and levels of society; sometimes they even speak different languages, at least as their native tongues. This being so, they should by rights sound different from one another.
Read more →Spelling, grammar, punctuation, syntax. For a lot of would-be writers, they seem to be love ‘em or leave ‘em – which is to say, many of the folks I talk to have either an absolute slavish devotion to formal grammar, punctuation, or else a firm conviction that
Read more →The other day, my walking buddy and I were discussing the use and misuse of slang in SF and fantasy. She was particularly exercised over an author whose entire repertoire of “future speak” seemed to consist of awkward and obvious portmanteau words like “carrocoli” for a hybrid
Read more →One of the worst criticisms that can be leveled at an author is “He has a tin ear for dialog.” In short form, it means the writer in question doesn’t do dialog well; in the longer version, it means the writer has no sense of the rhythms
Read more →One of the many areas that some writers find problematic about dialog is the use of idioms. This is especially tricky for SF and fantasy writers who are trying to create a realistic-sounding but still-comprehensible imaginary world. The first common mistake, especially for science fiction writers, is
Read more →…“and what is the use of a book,” thought Alice, “without pictures or conversations?” -Lewis Carroll, Alice’s Adventures in Wonderland Dialog occupies an odd place on the list of fundamental fiction-writing skills. It’s a component of nearly all fiction, but it’s not absolutely necessary (Hatchet and My
Read more →One of the things it took me a while to get a handle on was giving my characters different speech patterns, depending on both their personalities and their backgrounds. For my first couple of books, I was too busy juggling all the other stuff – background, plot,
Read more →“Beat” is actually an acting term. In a movie or play, it describes a brief interruption or pause in the action or dialog. The result of putting a beat in can change the emphasis on a line of dialog or the meaning of an action, and do
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