Yesterday, while bemoaning my lack of blog post topics to my walking buddy over our post-walk stop at the coffee shop (she gets coffee; I get tea), I had a revelation. (OK, not a big heavenly-choirs, life-changing sort of revelation, just a tiny hey-I-can-turn-that-into-a-blog-post revelation, but I’ll
Read more →When I first started writing, I didn’t pay too much attention to the way people spoke. I figured I was lucky to get my characters to sound as if they were holding a real conversation, rather than reading alternate paragraphs from an 18th century tome on rhetorical
Read more →Dialog is one of the bedrock necessities in about 99% of all fiction. Plays and screenplays are almost nothing but dialog, and it’s not unusual to see whole scenes or entire short stories that are told entirely in dialog (sometimes, without even speech tags to let the
Read more →Dialog is the primary way most of us communicate with each other, so it’s also the main way our characters communicate with each other. It’s really hard to write a satisfactory short story that has no dialogue at all, and the longer this story, the harder it is
Read more →As I’ve said before, the term “viewpoint” gets used to mean both the person who is seeing the action (viewpoint character) and the way in which everything is written (viewpoint type). This is going to be about the latter sort of viewpoint. Specifically, it’s about first-person. First-person
Read more →A speech tag is the thing that goes with a line of dialog that tells you who said it; it “tags” the line with the name (or occupation, or some other identifiable description) of the person who said it. “Run!” Jeff cried. (“Jeff cried” is the speech tag.)
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