Finishing your first novel is a matter of lather, rinse, and repeat—you write a bunch of pages, pause to think and make up more, or do some suddenly-necessary research, or reassure yourself that you really did put that necessary information in some prior chapter, and then you
Read more →Why do novels have chapters, and how do you figure out where to start or end them? Well, not all novels do have chapters ( see most of Terry Pratchett’s books and John M. Ford’s Growing Up Weightless for example). Most do, though, and have since the
Read more →Endings are the point at which whatever changed in the protagonist’s life at the beginning has been resolved, and the story is over. Endings give many writers almost as much trouble as beginnings or middles (though often it’s not the same writers), though for different reasons. The
Read more →This is the post about different types of climaxes that I mentioned last week. It’s closely related to reverse planning—or any kind of story planning, really—because how you plan or outline a story (if you work that way) depends a lot on what kind of climax you
Read more →This is Part II of me trying to answer LM’s query, specifically the part about backward planning—that is, starting with a climax scene and working out the plot backwards from that. I had a whole other post written, then realized that I had gotten distracted talking about
Read more →Stories are full of endings. From the ending of a multi-book plot arc to the ending of a sentence, writers face the same sorts of questions over and over: Have I said everything I need to say? Will this flow better if it’s longer or shorter? Does
Read more →I recently read a story in which the writer had two villains whose respective plotlines had very different endings. One villain was heading for an action climax with a dramatic set-piece battle scene; the other was heading for an emotional confrontation ending in the revelation of all
Read more →In spite of all the writing advice books and blogs and web sites that tell you to start by making up the ending, I can’t think of any professional writers I know who do this in the strictest sense, at least as their regular process. (I’ve known
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