Too easy

At one of the recent conventions I attended, I ran into a writer who was having what she referred to as plot problems. Actually, they sounded more like ending problems; according to her, she did fine at creating all the setup, but then when she got to

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Story climax, part 2

Possibly the most important scene at or near the end of any story is the climax. The first difficulty here is, exactly what is “the climax” when there are several possible types and a double handful of plotlines and subplots that all need to be wrapped up?

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Story climax, part 1

Climax: any moment of great intensity in a literary work.                      –Concise Oxford Dictionary of Literary Terms. Everybody knows what the climax of the story is, right? It’s the battle with the monster, the discovery of the cure for the plague, the revelation of the murderer, blowing

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Ending? What Ending?

Endings are a problem for a lot of writers on a lot of levels. People have trouble making them convincing, trouble making them dramatic, trouble keeping them from dragging out or being too abrupt. One of the problems that seems surprisingly common is picking out the ending

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The structure of the end

Most novels have three parts: beginning, middle, and end. At least, that’s what Aristotle said, and who am I to argue with a guy whose writing advice has been taken seriously by folks for the last 2000+ years? Today I want to talk about the end. First

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When is it over?

When is the story over? Really over, I mean, as in “this is the last paragraph, and what comes next is ‘The End’ at the bottom of the page.” This is usually some way after the big climax in which the central story problem is solved (they

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Fear

All writers are afraid of something at one point or another. We are afraid of looking foolish; we are afraid of rejection; we are afraid of overreaching, of not knowing how, of getting it wrong, of not being good enough. We’re afraid of being broke, being taken

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The Big Finish

Nearly every piece of fiction has one main character and one central problem. Even when the story is told from multiple viewpoints with an ensemble cast, each of whom has a different important plotline, there is almost always one plot problem that is the problem that the

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The End

What makes an ending “The End”? In a word: closure. At the end of the story, whether the heroine won or lost, she’s not going to get another chance to try. The Evil Overlord is gone for good, the wedding is on (or off), the murderer has

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