Fear

All writers are afraid of something at one point or another. We are afraid of looking foolish; we are afraid of rejection; we are afraid of overreaching, of not knowing how, of getting it wrong, of not being good enough. We’re afraid of being broke, being taken

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Where are you?

There’s an analogy that’s been around for a long time – I’ve been using it myself for years – comparing writing a novel to a long-distance road trip, usually at night. The comparison goes, in the car, you can only see as far as the headlights light

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Obsessive overbuilding

The flip side of forgetting about the implications of all the things one puts into one’s worldbuilding is becoming obsessed with getting every detail just so.  It  is a great way not to produce a lot of finished writing. Overbuilding an imaginary world is a problem that is

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Getting stuck, part II

I probably should have posted this first, if I was going to blog about getting stuck. Because one of the more important things a writer needs to do when they’re stuck, before trying to apply any of the techniques I was talking about, is to figure out

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Getting Stuck

I’ve been getting quite a few questions in the mailbag recently about writer’s block, and invariably they end with the anguished plea, “How do you know what happens next?” Which is a lot of the problem right there, in my opinion. Because “What happens next?” and “What

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Better or not?

One of the plagues of beginning writers is the feeling that they are doing something “wrong.” Not wrong in the sense of technique – messing up viewpoint, for instance – but that they have made, are making, or will make, a wrong decision about “what happens next.” They are

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