Devil in the Details

“Your first idea is rarely the best one.” –Peter Attia That gets said a lot about writing, for good reason. One of the standard recommendations for developing a character, plot, or scene is to write a list of 20 things that could happen next, and then pick

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Fragile stories

After doing this for as long as I have, I’ve come to the conclusion that nearly all writers have a point in their process where their story is fragile. It’s a different point for every writer, and sometimes different stories become brittle at different points, unexpectedly. A

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Subplotting

Last Open Mike day, Emily mentioned in the comments that she was having trouble figuring out a subplot. I started an answer, then realized I had a lot to say and that some of it would probably be of interest to other people, too. So I decided

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Have I Got An Offer For You…

There are some questions that all writers get, over and over and over. Anything that is repeated that many times gets very old, very fast. One of the most irritatingly common questions is the perennial “Where do you get your ideas?” But even more irritating are the

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How long is it?

Well, based on the comments in last week’s Open Mic, it looks like I’m going to be talking about structure and endings for a while. Rowan M got in first, with a request for a post about length—specifically, how you tell how long a story will be

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Developing ideas

A couple of weeks back, Rachel asked this: I was wondering how you work with and extend story ideas without getting bored? Because I have a habit of writing or imagining “moments” that really interest me, certain people or situations that last a page or two, but

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Advice for Creatives

Lately I’ve been seeing a lot of advice online for “creatives”. The trouble is, almost none of the advice takes into consideration the way “being creative” actually works. If you need to fix the broken hinge on the back screen door, it’s relatively easy to break the

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Mid-book decisions

At the beginning of a novel, anything can happen, and it’s easy to change things one doesn’t like. Your heroine starts off sitting on a rock by Cape Canaveral, longingly watching the rockets take off, and three paragraphs in it suddenly occurs to you that she’s a

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