Every writer I know is a voracious reader, and has been for a long, long time. Most of us are omnivorous as well as voracious – we not only read a lot, we read widely, from literary classics to pulp fiction, and from every genre available. Reading
Read more →A lot of story analysis and critique starts by focusing on macro-level aspects of storytelling: characterization, narrative, worldbuilding, plot, and the ways one develops or reveals these things over the course of a novel. Ultimately, though, how one presents characterization, growth, personality, action, worldbuilding, plot, and everything
Read more →For those who don’t know, I live in Minnesota. The weather here is a perennial topic; the news reports the temperature every hour on the hour, and every fifteen minutes (it seems like) when it’s particularly unusual. People talk about the weather constantly. Yesterday, I overheard at
Read more →Practically every how-to-write book I’ve ever read (and I have read quite a few) breaks down “writing fiction” into a bunch of different areas – plot, characterization, structure, dialog, theme, etc. – and then examines each area separately, usually at the level of sentences or paragraphs. This
Read more →I apologize for being a bit late with this today. Revising a first draft is one of those things that sounds as if it’s easy to talk about until you try…and then once you start digging into it, you start wondering how it’s even possible to do,
Read more →The process of revising effectively tends to vary from writer to writer just as the first-draft writing process varies, and it’s not necessarily connected to the way one writes your first drafts. In fact, often (though not always) the revisions process seems to need to be the
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