When I was in grade school, we had a regular “show and tell day.” Kids would bring in an object they thought was interesting, show it to everyone, and then explain what it was, how to use it, why they thought it was interesting, or whatever. It
Read more →… I bog down in considerations of what the readers need to know, and if don’t put it right at the beginning then when, and how many flashbacks can one novel support? This is part three of the answer to that question, which can be summed up
Read more →There’s a scene in the Great Muppet Caper in which Lady Holiday, while interviewing Miss Piggy for a receptionist job, tells her a lot of personal information about her family relationships and the valuable jewelry (the Baseball Diamond…) she is going to put on display. When Miss
Read more →Narrative transitions are the second major way of getting characters from Scene A to Scene B. Instead of simply skipping a bunch of time or a change in location, a narrative transition briefly summarizes, describes, or explains whatever the author is skimming over lightly. Because narrative transitions
Read more →A lot of my friends have trouble writing action scenes. Not on the sentence-by-sentence level – they know all the tricks and tips – but on a more general level. They know that their first-person viewpoint character is only going to have a close-up, confused picture of
Read more →“Show, don’t tell” is one of the two most misunderstood and misapplied pieces of writing advice that are commonly given to new writers (the other being “write what you know,” but that’s a different post.) It’s most commonly trotted out in relation to characterization, where “show” generally
Read more →Back in the day, one of the pieces of advice I got that drove me crazy was “you have to learn to read like a writer.” I didn’t know what that meant, and no one ever really explained it to me. Evidently it was one of those
Read more →A novel is not a movie; writing a scene is not the same as filming one. It is amazingly easy to forget this, when we are constantly bombarded with visuals in our everyday lives, from movies and TV, to YouTube and those animated ads that are all
Read more →“Beat” is actually an acting term. In a movie or play, it describes a brief interruption or pause in the action or dialog. The result of putting a beat in can change the emphasis on a line of dialog or the meaning of an action, and do
Read more →Narrative summary is possibly the most flexible of the various ways of presenting a story. Narrative summary doesn’t necessarily tie the author down to chronological order, the way dialog and dramatization do, nor does it require a focus on one particular aspect of the story, as description
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