Plots and Projects

A few years ago, I was talking to a businessperson at a family gathering, and I made a comment about my then-current work in process. He immediately assumed that my “project” (writing a book) would be “done” once the book was published and on the shelves for

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Plot layers

First, I have to apologize for this being late. There was a huge thunderstorm Monday night that knocked out my power and internet, and while the power came back quickly, it screwed up my router, which meant lots of fiddling around, and I didn’t get everything put

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The Driver’s Seat

Since before the Internet began, it seems, there’s been an ongoing argument about “plot-driven” stories vs. “character-driven” stories. By this time, there are a metric ton of how-to-write articles arguing that one is “better” than the other. And all those scare quotes are there because everybody in

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Balancing choices

Writing a novel is a balancing act. It starts with the Big Three (characterization, setting/world-building, plot). Each of those usually has the potential to expand exponentially in several different directions at once. At the start (and sometimes all the way through the middle), it seems as if

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Bad communication

It is ironic that in these days of instant messaging so many plots still depend on two or more central characters not communicating effectively with each other. OK, a lot of pre-Internet stories depend on someone missing a phone call or a messenger, but at least someone

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Plotting in reverse

This is Part II of me trying to answer LM’s query, specifically the part about backward planning—that is, starting with a climax scene and working out the plot backwards from that. I had a whole other post written, then realized that I had gotten distracted talking about

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Retelling Fairy Tales

Fairy tale retellings are a perennially popular both among readers and among writers. Since I’ve written a couple, I occasionally get questions or comments about writing them. The most common one comes from people who ask “How do you do that?” in a rather awestruck tone. I

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Perception and plotting

One of the writer complaints I hear regularly about plotting is some variation on “I can’t come up with a plot that’s compelling for the reader. I can’t make the reader care about what happens to the characters. I can’t make the reader care about what’s at

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How I plot?

This is my last blog post for 2022. (I always take the Tuesday between Christmas and New Year’s off, so next week will be an off-schedule Open Mic, and the count to the next one will reset on the first Tuesday of the year.) I asked a

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