Plotting a story is one of those writing things where not only does every writer work differently, every book works differently. Oh, there are patterns – I’ve talked before about my write-a-plan-and-then-toss-it method – but they never seem to work one hundred percent consistently for even one
Read more →Writing processes are interesting things, not least because there are so many different kinds. Mine is particularly odd, in that I am neither a sit-down-and-wing-it writer, nor am I a plan-in-advance-and-stick-to-the-plan writer. I’m smack in the middle of the range, a plan-in-advance-and-then-periodically-throw-away-the-plan writer. The reason why I
Read more →“subplot – a secondary sequence of actions in a dramatic or narrative work, usually involving characters of lesser importance (and often of lower social status).” – The Concise Oxford Dictionary of Literary Terms Subplots are one of the largest and most obvious differences between short stories and
Read more →I’ve been fascinated by nonlinear storytelling for a long time now, though I’ve barely skimmed the surface of it in my novels. It’s one of those writing techniques that can be used lightly or delved into at great depth, and examining it is something I think can
Read more →Most experienced writers know in their bones that plot operates in far more directions and on far more levels than most modern how-to-write books acknowledge. It’s the folks who’re just getting started who get bogged down in strict adherence to the basic skeleton or act structure, or
Read more →I’ve been thinking a lot about the classic plot skeleton lately, for a variety of reasons, and I’ve been getting steadily more annoyed with most of what’s written about it, and about plotting in general. The trouble is that most of what’s written about plot and plotting
Read more →For a certain kind of writer, the opening of a story is easy and fun – you get to allude to mysterious events and drop ominous clues. And then comes the middle, where all the stuff you’ve been alluding to has to start showing up and actually
Read more →When a writer has a big, complicated novel with lots of subplots and plot arcs that need to weave around each other, there are two main things he/she needs to do: 1) keep track of all the things that are going on offstage and in different plot
Read more →One of the most frustrating things that happens to writers is having a batch of characters worked into just the right spot for the plot to take off…and discovering that they won’t do whatever is supposed to come next. When you want your characters to go left, and
Read more →There’s a problem I’ve noticed cropping up more and more often lately, in the way some authors first develop and then over-develop their plots and subplots, allowing both them and their characters to proliferate beyond the ability of mere mortals to keep track of them all, until
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