Will you do a post on how to handle subplots, specifically in a single-viewpoint story? I am relatively new to writing longer fiction and have never dealt with them before. –E. Beck My first reaction is that if you are having trouble with subplots, begin by ignoring
Read more →I’ve been plot-noodling with a couple of primarily character-centered writers lately, and I’ve noticed that they both have a similar problem. Most of the time, they don’t even see the places where they are dropping plot-hints…and when they do see them, they don’t immediately recognize them. One
Read more →I got quite a few requests in the last Open Mic, and I’m going to start working through them, beginning with this: Note the problem is not character story lacking, but putting together a single coherent plot that doesn’t consist of a character’s entire life story. I
Read more →Sooner or later, every writer seems to have trouble with plot, even writers for whom plot “comes naturally.” Part of the problem, I think, is that over the past twenty or thirty years, story structure has become thoroughly confused with plot. (I blame this largely on the
Read more →Borrowing One of the shortcuts a writer can use for any of the Big Three story elements (plot, characters, setting/backstory) is to borrow them from somewhere else. “Somewhere else” covers a lot of ground; the caveat is that if one is going to borrow from anything that
Read more →Like setup and foreshadowing (see last week’s post), payoff and consequences aren’t quite the same thing. If you look up the definitions, the writing-relevant one for “payoff” is “a final outcome or conclusion,” while the one for “consequences” is “the result or effect of an action or
Read more →I recently read a story in which the writer had two villains whose respective plotlines had very different endings. One villain was heading for an action climax with a dramatic set-piece battle scene; the other was heading for an emotional confrontation ending in the revelation of all
Read more →I recently read a book that I found deeply frustrating because nearly all of the action-adventure part of the plot happened offstage. The viewpoint – who was consistently presented as the protagonist – only found out about the action later, when someone came back bloody and beaten
Read more →Every story has a central problem that the protagonist needs to deal with. Sometimes, the protagonist deals with it successfully; sometimes they fail. The problem may be something the protagonist doesn’t have but wants, something they need to do, something they need to realize, something they need
Read more →A lot of writers stall at the very beginning of story construction – at the idea stage – because they have never thought about the difference between situations, incidents/events, and actual plot, much less how to move from any one of these to any of the others.
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