Context is important. It’s not the only thing that is important in a story, though, and sometimes it isn’t as important as writers think it is. Getting the context into the story is a perennial writing difficulty. There are two main solutions: working the context into the
Read more →The whole point of a good prologue is to do something that the writer cannot do in the main part of the story without violating some important aspect of storytelling, like chronology or viewpoint or continuity. For instance, if the main story is told entirely from the
Read more →Prologues are out of favor these days, one of the “forbidden” (by whom?) writing techniques, yet people keep asking about them because they know intuitively that the technique has enormous possibilities. Quite a few folks go ahead and use them anyway. Sometimes this works brilliantly; other times,
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