Before the Start

“I only need one gun, but it has to be the right gun.” – Lois Bujold Very few ideas are perfect on arrival. Few non-writers recognize this, and almost none of them realize that the process of correcting them often begins before a word of a story

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Into the Unknown

There are a lot of jobs in the world, but for the majority of them, you know what you’re in for. You’re making something, or moving it around, or keeping track of it, or trading it. Even upper-level managers have a pretty fair idea what their job

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What I’m Up to

A couple of weeks ago, I was on a conference call with my editor and agent. One thing led to another, and I now find myself mostly-committed (i.e., I don’t actually have a contract, but the backbrain is moving ahead full steam anyway) to a totally new

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Moving on

Having spent the weekend being very thoroughly distracted by my 40th college reunion (at which they gave me a Distinguished Alumni Achievement Award, much to my astonishment [and thank you to everyone who worked on that]), I didn’t have a lot prepared for today’s blog. So I

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Fixing Chapter One: Why

On account of me being a bit disorganized and forgetting to load the blog post I had ready for today before I left for Chicago, you get a new and different blog post about fixing Chapter One, and the one I had planned (on the character piece)

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Fixing Chapter One, part one

I recently read a writing-advice column that argued that first chapters were always and necessarily boring. The column-writer never did explain why, if that were true, anyone would ever read the first chapter, or stick with a book long enough for it to get interesting, but he

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Strengths and weaknesses

One of the questions I get a lot, especially when a class of students has been asked to come up with three questions each, is “Which one of your books is the best?” It’s not quite up there with “Where do you get your ideas?” but it’s

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Plotting in bits and pieces

There are a myriad of books out there on how to construct a plot. Most of them, so far as I can tell, seem to take one of two approaches: either they focus on the main character as the driver of the plot, or they focus on

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