Some years back, I had a writer friend who’d switched from being a journalist to writing fiction. She told me once that for her, the hardest part of writing fiction was learning not to automatically apply the basic journalism tenet: “Tell them what you’re gonna tell them,
Read more →Why do novels have chapters, and how do you figure out where to start or end them? Well, not all novels do have chapters ( see most of Terry Pratchett’s books and John M. Ford’s Growing Up Weightless for example). Most do, though, and have since the
Read more →So I had half my playing around with structure post done for this week, and then Kevin said this: “Pat, do you think a preset structure likely makes a story more predictable, or are structure and predictability unrelated?” There are a couple of things to consider here.
Read more →Story structure is one of those perennial topics in writing advice, and I haven’t talked about it for a while. So it’s probably time to revisit. I have two dressers in my bedroom. One was clearly made before the advent of mass production; the other was made
Read more →Back when I still had a day job, I was a financial analyst. It is therefore really unsurprising that I enjoy looking at writing systems that are very structured and involve analyzing stories to pick out what works or doesn’t work. There are, however, a couple of
Read more →Back in high school, I took a semester of journalism. The teacher focused hard on the “5 W’s and an H”—Who, What, When, Where, Why and How—and also on the structure of a news story (most important stuff in the first paragraph, steady increase in interesting-but-less-important details
Read more →Like setup and foreshadowing (see last week’s post), payoff and consequences aren’t quite the same thing. If you look up the definitions, the writing-relevant one for “payoff” is “a final outcome or conclusion,” while the one for “consequences” is “the result or effect of an action or
Read more →Multiple viewpoint stories, especially the sort that are occasionally termed “bestseller style,” have become increasingly popular over the past couple of decades – popular with would-be writers, at least. Some people hear the saying that “viewpoint solves everything” and assume that it means all they have to
Read more →I’ve talked a bit about the difference between plot and structure, and some of the ways structure is currently being misused (in my opinion). But structure is still a massively useful concept, and that usefulness is the reason behind the huge focus so many how-to-write books and
Read more →Almost all of the references I can find on structure start by talking about the order things happen in. They basically approach structure as playing with chronology through flashbacks and other not-strictly-linear storytelling techniques. Once they’ve said that, 98% immediately revert to talking about one of two
Read more →
