What’s a Turning Point?

Turning points confuse me. Turning points confuse me. Or perhaps it’s the way people talk about them that confuses me. I’m used to the fact that writing terminology isn’t standardized, and often can mean more than one thing. (“What’s the viewpoint?” can, for instance, mean “Which character’s

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Series structure

Katherine asked: Could  you please share your thoughts on shaping a good story / balancing the form, particularly across a series? If you are setting out to commit a series on purpose, with malice aforethought, the first few things you need to think about are: 1) Do

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Stringing beads

Writers use a variety of different metaphors to describe how they think about plot and structure. One that I’ve seen used quite a bit is “beads on a string” – that is, figuring out a plot is a process of lining up a series of beads/scenes in

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Proliferating viewpoints

Having lots of viewpoint characters is usually one major reason for a proliferation of subplots. Each viewpoint character is the protagonist of his/her own story, and that story inevitably has its own subplots. So if you normally find that your stories have two subplots, and your novel

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Advance planning

There are a lot of bits of advice floating around for would-be, wannabe, and newbie fiction writers who are having problems getting started. There are currently a plethora of how-to-write books advocating serious advance planning, ranging from detailed outlining systems, to starting with different sets of character

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Uses for Plot Shapes

So we come to why I have been thinking about plot shapes for the past week. It started with an article on the traditional triangle plot that mentioned in passing that there were other possibilities, but didn’t give them much consideration beyond that. Naturally, this got me

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