The traditional plot shape I discussed last time is vaguely triangular; it starts at a beginning, tension rises as the protagonist faces and overcomes (or doesn’t) a series of obstacles, until things reach a peak at the climax or turning point; after that, it’s all downhill until
Read more →When I was in school, back in the Jurassic, I was taught the basic plot structure and its variations: beginning, rising action, climax or turning point, falling action. The chart that went along with it looked something like this: For years and years, I thought this was
Read more →The structure of a story is its bones – or rather, it’s the way those bones are presented to the reader, the way things are organized and the patterns they make. Like bones, there are large ones and tiny ones; chains of things that fit together to
Read more →Every story has a beginning, a middle, and an ending. That seems like a pretty obvious statement, until you start looking at all the different ways of analyzing stories: the three-act structure, the four-act structure, the five-act structure, the four-acts-plus-teaser structure, linear, nonlinear, parallel running scenes, reverse
Read more →Most novels have three parts: beginning, middle, and end. At least, that’s what Aristotle said, and who am I to argue with a guy whose writing advice has been taken seriously by folks for the last 2000+ years? Today I want to talk about the end. First
Read more →Today I decided to talk about frame stories. “Frame story” is a bit of a misnomer; it’s actually short for “story with a frame,” and it’s a very specific story structure in which the opening (whether that’s the prologue, Chapter One, or the first scene) and closing
Read more →One of the things about writing is that if you want to improve, you have to work at it yourself. Nobody is going to make you practice; nobody is going to force you to get better. Even taking writing classes is a choice – I’ve known people
Read more →Before we get to the post, I feel obliged to mention that we’re doing some more blog maintenance tomorrow – might as well get it over with as soon/much as possible – so there may possibly be another short outage. We’re expecting this bit to go smoothly,
Read more →When is the story over? Really over, I mean, as in “this is the last paragraph, and what comes next is ‘The End’ at the bottom of the page.” This is usually some way after the big climax in which the central story problem is solved (they
Read more →There are two basic approaches to combining or developing ideas and story: in-depth development, and the kitchen sink approach. These are opposite ends of a continuum, of course; there are very few writers who work strictly one way or the other. Still, it’s useful to think about
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