So if you are going to do some pre-planning before you start writing your book, where do you begin and how do you do it? As usual, it depends on the writer and the story, but here are a few things to consider: First, why are you
Read more →There are a lot of bits of advice floating around for would-be, wannabe, and newbie fiction writers who are having problems getting started. There are currently a plethora of how-to-write books advocating serious advance planning, ranging from detailed outlining systems, to starting with different sets of character
Read more →So we come to why I have been thinking about plot shapes for the past week. It started with an article on the traditional triangle plot that mentioned in passing that there were other possibilities, but didn’t give them much consideration beyond that. Naturally, this got me
Read more →I’m sure all of you have been waiting for the e-book with baited breath. Wrede on Writing goes live tomorrow, December 4th. It’s the first time I’ve had THREE sets of galleys to look over (epub, mobi, and the pdf that they’re using for the hardcopy version).
Read more →The traditional plot shape I discussed last time is vaguely triangular; it starts at a beginning, tension rises as the protagonist faces and overcomes (or doesn’t) a series of obstacles, until things reach a peak at the climax or turning point; after that, it’s all downhill until
Read more →When I was in school, back in the Jurassic, I was taught the basic plot structure and its variations: beginning, rising action, climax or turning point, falling action. The chart that went along with it looked something like this: For years and years, I thought this was
Read more →The structure of a story is its bones – or rather, it’s the way those bones are presented to the reader, the way things are organized and the patterns they make. Like bones, there are large ones and tiny ones; chains of things that fit together to
Read more →Every story has a beginning, a middle, and an ending. That seems like a pretty obvious statement, until you start looking at all the different ways of analyzing stories: the three-act structure, the four-act structure, the five-act structure, the four-acts-plus-teaser structure, linear, nonlinear, parallel running scenes, reverse
Read more →Most novels have three parts: beginning, middle, and end. At least, that’s what Aristotle said, and who am I to argue with a guy whose writing advice has been taken seriously by folks for the last 2000+ years? Today I want to talk about the end. First
Read more →Today I decided to talk about frame stories. “Frame story” is a bit of a misnomer; it’s actually short for “story with a frame,” and it’s a very specific story structure in which the opening (whether that’s the prologue, Chapter One, or the first scene) and closing
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